Dragons have been present in myths and legends across many different cultures, and have captured people's imagination for centuries.

There are different shapes and variations of these mythological creatures, with different names. 

Dragons typically have four legs and wings, Wyverns have only two legs and wings, and Drakes have no wings and four legs.  undead wyverns explores the procedural generation of skeletal versions of these different kinds of creatures.

Species

Heads

Claws

Palette

Horns

Beak

Dorsal spikes

backbone spikes

Left light

Right Light

Core

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undead wyverns

Mazinaw is about the timeless struggle to express our humanity and communicate the ineffable. The title derives from Mazinaabikinigan-zaaga'igan, an Algonquin word meaning “picture” or “writing”, alluding to the dual nature of pictographs. 

Inspired by my encounters with neolithic cave paintings in Europe and indigenous pictographs flanking Canadian lakes, Mazinaw hints at etchings, drawings, and anthropomorphic forms. While Mazinaw draws on expressionists from Wassily Kandinsky to Norman Lewis, it takes abstraction one step further: each piece is constructed by the artist indirectly, via a generative code, allowing the emergence of new undreamt-of forms.

The 19 palettes are inspired by the natural world, but their roles are sometimes twisted: cerulean blue strokes appear over an ochre canvas, and green flashes of light hop across a gray expanse. I invite the viewer to spend time with each piece, finding their own order from chaos. Signed fine-art archival inkjet prints will be available for owners at a modest cost.

Note: Mazinaw is best viewed in large format (full screen), or printed. Each piece has infinitely fine details, some of which will only be visible in print. Mazinaw renders seamlessly in any aspect ratio; adjust the window size and shape as desired, click on the frame, and type 'f'. 

Controls:

 s   -- save as png
 spacebar  -- pause/unpause
  f   -- toggle square / fit-to-screen aspect ratio
   1-6  -- set pixel density (default=2 on retina displays)
   +/-  -- increase/decrease pixel density
   n -- enable/disable night mode
   p -- enable/disable pastel mode

Mazinaw

When thinking about community, we could observe the differences and things in common. There is a purpose for us to be together. It influences our behavior, identities, and choices. The diversity of shapes, colors, and combinations in this work is the metaphor for how we are connected and how these connections influence a complex web, which is represented here in this form that resembles a beehive. Bees have an enormous sense of community, a behavior essential for their survival. In this work, a single feature can radically alter the perception of form as a whole. The work contains eight possible shapes: random, stars, hexagons, triangles, arrows, trapezoids, diamonds, and flags. These shapes can be arranged following a random flow, rotating, or pointing to the center. Moreover, they can vary in size, spacing, and color. The color palettes correspond to edition groups. As a generative artwork, beauty arises from a mixture of all diversity. Charity: 25% of initial sales were donated to Lanchonete<>Lanchonete lanchonetelanchonete.com - promoting greater justice and social well-being for children and family members living nearby Providência, first Favela in Brazil.

"Facets" is a study in intersections of polyhedra and interactions of light.

Polyhedra are distorted and duplicated around a symmetry axis, intersecting and merging into a great diversity of forms. These forms are rendered in a light simulation with different colors and material properties. The sharp edges of the shapes carve out light and space, casting soft shadows, glows, and reflections.

We can move the camera, zoom in and out, and change our perspective. From above, we may see a perfectly symmetrical figure. From below, we may see a grand constructivist sculpture. Zooming in, we see a geometric composition of polygons and gradients. Zooming out, we see the entirety of the form sitting in an endless void. We can turn on the animation and see the shapes shift and fold in on themselves. We can pause the animation and see a new permutation of the shapes. I invite you to manipulate the controls, reframe the composition, and share a new perspective.

(During interaction, the image may appear grainy and blurry due to incomplete rendering. This is necessary to keep the renderer running as smoothly as possible for the best experience.)

• Animate: Long press or three finger tap or press A
• Rotate: Drag (TrackPad: scroll)
• Zoom: Scroll or pinch (TP: pinch or ctrl+scroll)
• Pan: Drag with middle button or two fingers (TP: shift+scroll)
• Reset: Double press
• Animation Speed: press 1-9

Holders will have access to special minting features based on their tokens, please see project website for more details.

Facets

InC is many things.

A tribute to the musical piece "In C" composed by Terry Riley in 1964. A multi-year Tanztheater project, directed by established choreographer Barbara Altissimo. A random walk through the canvas whose outcome is a series of short design fragments, composed for an indefinite number of performers/collectors, much like the original composition by Terry Riley. All in all, InC is my little contribution to beauty.

25% of the proceeds will be donated to local non-profit organizations dedicated to spreading beauty and helping talented and needy people.