Darwin’s Orchid wasn’t discovered by Darwin, but he correctly hypothesized that its long blooms, up to a foot and a half tall, coevolved with a moth with a very long tongue—just long enough to extract its nectar. This flower embodies the great variety of and fascination with the orchid family. Orchids come in all shapes, sizes, colors, textures and scents—perhaps this is why they’ve entranced cultures dating back well over five millennia, becoming symbols of virility, beauty, peace and prosperity in the process. Named “Cattleya” after my first rare orchid, this work is my Ode to Orchids—a mystical flower that brings me endless delight.

Read more about my [inspiration & process↗](https://bensnell.medium.com/7c943673d54f)

*Notes:*
*— This project is intended to be run on modern devices, operating systems and browsers. Older ones may yield undesired or undefined behaviors.*
*— This script includes a modified version of [glsl-fast-gaussian-blur](https://github.com/Jam3/glsl-fast-gaussian-blur), licensed under the MIT License (MIT) Copyright (c) 2015 Jam3.*

Cattleya

For as long as I can remember, I've always loved walking around the city. The crowds, the movements, the colors, the lights... As I grew up, I learned to explore the different corners, always on the lookout for new alleys to explore, the desire to discover again and again particular architectures, saturated spaces, paintings or stickers never seen before, frozen traces of passages in these anthills that are our cities.

Hōrō is an invitation to stop time to make room for exploration, observation and contemplation in scenes mixing the purity of architectural lines with the unpredictable movements of passers-by, where Jackson Pollock meets Anni Albers, and Hassan Massoudy meets Piet Mondrian. So many influences that mix to create an explosion of movement and send us back to physical, digital or spiritual wanderings, in which we can both get lost and find ourselves.

The Hōrō series proposes to explore representations of multiple flows through different abstract areas, while playing on a wide chromatic diversity rich with 55 palettes inspired by as many graffiti artists, urban calligraphers using color as a trace of their passages.

"Art enables us to find ourselves and lose ourselves at the same time." - Thomas Merton


On live view, press num keys [1-9] to redraw and export an up to 9x resolution version of the scene.


Hōrō, the Art of Wandering
Lionel Radisson | makio135

Hōrō

Hashtractors are a collection of generative renderings of various parametric equations commonly know as "strange attractors". These equations are at the heart of chaos theory; a branch of mathematics focused on the study of dynamical systems that are highly sensitive to initial conditions. A selection of 29 different equations has been made for this collection. Hash data is used as their parameters.

Hashtractors

I find the patterns which emerge from the herding of sheep and the murmuration of starlings an apt metaphor for our own journeys of searching for truth, beauty and love while we're here. These pieces are best viewed live to witness how the path of these digital creatures' lives paint their tiny planet. ***
I behold the sleeping planet ​| Plucked from the sky | Rolled around in my hands. | “My Word formed it.” | Time worn, | Life stained, | Soil rinsed and washed. | “Our story in repose.” | Love lost, | Wanderlust, | Loud surrender. | “It must have been painful.” | Placed in my collection, | Delicate and beautiful, | When viewed from this distance. | Selah. | I return my gaze to the heavens. *** 
25% of sales above resting price will be used to fund The Playability Initiative whose mission is to design free, fun video games and creative digital tools to kids with disabilities.

Beauty in the Hurting

# eternity stirs
my finger stirred the pool. 
iridescent specks at this distance. 
molecules separated by infinities, 
attracted by a gentle gesture. 
matter built on reducible complexity, 
remarkable what emerges from the soup.

the specks of light flash for a moment, 
then flame out. 
the arc of their burning wick 
painting pictures; 
heating arguments;
bleeding in the darkness. 

helpless to start or stop anything, 
bodies in motion, 
tending to stay in motion,
until the fuel runs out.

# can there be beauty in pain?
Flora, Fauna, False gods & Floods continues a theme I began in Beauty in the Hurting. When turbulent acts of god subvert best-laid plans, is there beauty in the broken images of life we leave behind?

Left alone, these images would resolve to nearly symmetrical dreamlike ink blots of meaning:  a flower, a feathered creature, or a figure of worship. In fact, what is most beautiful in their image may lay outside the frame. 

The final resting frame in each composition does not paint the whole picture. You must go looking for it. Interact with each composition by following the controls below.

# **saving**
* **a key** - download transparent uncropped print
* **s key** - download print

# **controls**
* **f key** - toggle speed up / slow down at 5x speed
* **h key** - toggle speed up / slow down at 20x speed
* **r key** - reset the camera view
* **click/touch** - while rendering, toggles between full view and follow view, when finished, cycles through zoom levels
* **click/touch and drag** - change the cropping of the image
* **click/touch again after dragging** - restore the default image crop for the current zoom level

form

floods

flood map

wind

color - base

color - secondary

color - start

form - feathered

form - feather noise

default zoom

This descending auction has a start time of {start_time} at the price of {start_price} Ξ and will exponentially decrease until the resting price of {base_price} Ξ is met.

flora, fauna, false gods & floods
Ryan Green
x of 400 minted

eternity stirs

can there be beauty in pain?

saving

controls

tokens