Fushi ( Japanese for immortality / eternal life ) is a concentration study to help those who might need help to slow down in their lives, those who get lost in their thoughts, and those who need a focus point to stand up.

No Reality is an invitation to contemplation. 

It acts as a support to our emotional levels and aims to enhance our environment by guiding us into a meditation state. Both contemplation and meditation have proven to have a positive impact on improving mental and physical health.  

Consciousness, Healing arts, and spirituality, Fushi No Reality is a window through surrealities. A procedural immortal healing ritual unlocking our capacity to cure ourselves.  

Each surreality is forged from a real-time organic system running in an infinite and perpetual movement, crafted from chaos and noise-domain explorations. From a computing point of view, there is no distinction between visually random noise and mastered noise. They are both an output of the same algorithm perceived by our brain as a signal. From a soul point of view, the difference is the perception and what we, humans, do qualify as pleasing, perceptible, or intriguing.

Exploration, observation, and modulation are key to this vast pandemonium of chaos. A creative process to re-forge shapes we already observe in our world’s best inspiration: Nature.

This inspiration directed Fushi No reality towards Landscape art/cloth art mixed with vaporware aesthetics, slow movement, and peaceful color palettes.  A light beam travels through each surreality to guide a few voyaging spirits across the landscape. Portrait or landscape,  the surrealities are meant to be displayed in both ways, viewers may look at generative cloth swirling and sci-fi planetary landscapes.  

The more adventurous may move their cursor to the top or bottom to live a faster healing experience.

No one can bring you peace but yourself, but this time, let’s travel together.

フシハ、セイカツノナカデスローダウンスルテダスケガヒツヨウカモシレナイヒト、シコウ二マヨッテシマウヒト、タチアガルタメノフォーカスポイントガヒツヨウナヒトノタメノシュウチュウリョクガクシュウデス。

[Fushi no reality / フシノゲンジツ]ハ、シサクへノショウタイジョウデス。
ワタシタチノカンジョウレベルヲサポートスルヤクワリヲハタシ、メイソウジョウタイヘトミチビクコトデ、ワタシタチノカンキョウヲヨリイイモノ二スルコトヲモクテキトシテイマス。メイソウトジュクコウハドチラモ、シンシンノケンコウゾウシン二イイエイキョウヲアタエルコトガショウメイサレテイマス。

イシキ、ヒーリングアート、スピリチュアリティ、フシギノリアリティハチョウゲンジツヲトウシテノマドデス。フメツノイヤシノギシキハ、ワタシタチジシンノチユノウリョクヲトキハナツタメノテズクリデス。
 
ソレゾレノチョウゲンジツハ、カオストノイズリョウイキノタンキュカラツクラレタ、ムゲンカツエイゾクテキナハタラキデハタラクリアルタイムノユウキテキナシステムカラツクラレテイマス。コンピューティングノカンテンカラハ、シカクテキ二ランダムナノイズトマスタリングサレタノイズノアイダニクベツハナイ。ドチラモ、ワタシタチノノウガシンゴウトシテニンシキスルオナジアルゴリズムノシュツリョクデアル。タマシイノカンテンカラハ、ソノチガイハチカクノチガイデアリ、ワタシタチニンゲンガナニヲモッテ「タノシイ」「チカクデキル」「キョウミヲソソラレル」トハンダンスルカトイウコトデス。

コノコウダイナカオスノパンデモニウム二ハ、タンサク、カンサツ、ソシテモジュレーションガジュウヨウナカギトナリマス。コノセカイサイコウノインスピレーションノナカデ、ワタシタチガスデニカンサツシテルカタチヲサイケイセイスルタメノソウゾウテキナプロセス。シゼン。

コノインスピレーションハ、[Fushi no reality / フシノゲンジツ]ヲ、ジョウキセンノビガク、ユックリトシタハタラキ、オダヤカナシキチョウヲマゼタフウケイガヤクロスアートニムカワセマシタ。コウセンハソレゾレノチョウゲンジツヲトオリヌケ、フウケイヲヨコギルスウジンノコウカイタマシイヲミチビキマス。ポートレートヤフウケイナド、チョウゲンジツハリョウホウノホウホウデテンジサレルコトヲイトシテアリ、カンショウシャハジェネレーティブナヌノノウズマキヤSFテキナワクセイノフウケイヲナガメルコトガデキマス。

ヨリボウケンテキナヒトハ、カーソルノウエカシタカニハタラカシテ、ヨリハヤイイヤシノタイケンヲスルコトモデキマス。
ヘイワヲモタラスノハジブンジシンダケデスガ、コンカイハイッショニタビヲシテミマショウ。

Fushi No Reality - フシノゲンジツ

Rituals combines generative music and generative artwork to create 1000 unique windows into a singular parametric universe. The music and art are crafted to infinitely evolve, giving collectors a subtly new experience upon each viewing. If left running, a single Ritual will continue generating music and art without repeating for ~9 million years. We invite you to hold space for yourself and enjoy a moment of mindful stillness. The first 200 were minted in real life at Bright Moments in Venice, CA, USA in September 2021.

Best experienced on modern equipment. Click to start.

Artwork by Aaron Penne (@aaronpenne), music by Boreta (@boreta), music system produced by Counterpoint (ctpt.co).

Rituals - Venice

A minimal and geometric interpretation of a planetary system.

planets

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

Enchiridion is inspired by the Enchiridion Physicae Restitutae by Jean D'Espagnet which rejected the idea of the empyrean, claiming that all natural things exist in unity. This is represented through geometric forms which show structure, unity, and causation vs. the amorphous forms of Empyrean.

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