THE SOURCE CoDE is a new techno-mystical framework that channels knowledge from source creation to our digital present. The medium of this knowledge is a set of unique 1024 “karma” cards minted in the Genesis phase of THE SOURCE CoDE. The Hash is a unique entity that drives all aspects of a single card.

THE SOURCE CoDE framework is based on 10 primitives, with each primitive representing a dimension of reality. Some cards have additional attributes that further empower the card holder. When you mint a card, an Intent is generated - the most powerful tool for navigating the endless possibilities in life.

Mint with purpose!

THE SOURCE CoDE

Six works from the _Placement_ series were on exhibition at the Art Blocks Gallery in Marfa, Texas from May – October, 2022. 

_Placement_ is a series of 500 artworks that are iteratively generated by an algorithm built by the artist. These hard-edge color-fields are visual representations of the underlying code; their color juxtapositions provoke a long look that goes beyond ‘seeing’. The frame assists in this process as it emphasizes concentration akin to the design of a digital display. The mechanisms of production – code and silkscreen – fade away to present artworks of pure color projected onto a screen or laid on top of paper. In this way, the artist relates the allure of vivid, saturated ink to the mesmerizing glow of a digital display. Cooper is engaged with themes such as digital materiality and the phenomenological.

Placement

I feel like an imposter. Pseudo-anonymous as *ippsketch* while maintaining an engineering career and family life. I live on the edge of two worlds, immersed in self-doubt. Leaning into each space, I bring a part of each world with me, but wonder if what I bring is enough. I question my identity while learning to embrace it. Art, after all, is made by ordinary people. And I wonder, does anyone really know what they're doing?

*Imposter Syndrome* is an expression of my seeming dual existence and my feelings of not being enough in many aspects of life. But I do not mean for this to be entirely prescriptive to the work and often see other interpretations and meanings myself, such as anytime I straddle the edge of something new, when I'm on the fence and making a decision between two directions of my life, or if I consider the shadow or light I cast in the spaces and people around me. These pieces move me differently from day-to-day.

This work leans into minimalism. As trends in generative art push toward the visually complex and highly technical, I find my current focus on simple composition and compelling structure. I'm also drawn to broken symmetry, which echos my dual artist/engineer life and is also what I consider to be a visual representation of generative art - design and order on the one hand, random variation within constraint on the other.

Color palettes echo those used in *Bent*. Simple and bold colors with stark black and white support. Pieces are rendered in a default poster size (3:4), but are also adaptive to screen size so that they can fit any display. The work can be interacted with by pressing the number keys 1, 2, 3, 4 to see the steps of construction.

Imposter Syndrome

Sail-o-bots try to combine but also spare concepts, perceptions and even basic human need based on Maslow's hierarchy. They are the mischief of the sea, have their own tiny boats to sail but they prefer to stand still, and watch the sunset. Until the next day comes, Sail-o-bots wait, they do not eat, they do not sleep, that's why they are on edge from time to time. Do not judge them quickly. Each bot has its own messages if you want to take or they are just shiny stuff you can stare at. Sail-o-bots cannot stay at a same style, that is who they are, they might be called inconsistent, but it has advantages, having multiple disciplines is really important for them, they will never stop trying to discover more. They will always be going back and forward around several versions, do not think that they will stop at one since they discover themselves, which is probably never.

sail-o-bots is based on the original generative project Strange Robots by Che-Yu Wu (https://twitter.com/Majer666666) Source code derived from https://openprocessing.org/sketch/1150492 under CC-BY-SA 3.0 license. Modifications include: custom botGlasses variable added with 3 different cases; custom botLips variable added with 3 different cases; 10 sets of custom colors added; antennas, ear and nose size and geometric shape types updated.

sail-o-bots

Event Horizon Sunsets are a class of art works generated through an algorithm which uses Perlin noise to modulate the color, shape, and convexity of a continuous surface. The sunsets are generated instantly in a practical infinity of combinations, and it is possible to write a machine learning classifier that selects the most beautiful ones. Event Horizon Sunset (Series C) follows two previous series of Sunsets, with 5 and 9 works respectively. Series C is special because some of the randomly generated Sunsets have a "close proximity".

Art Blocks Presents

Event Horizon Sunset (Series C)

Jake Brukhman

About Event Horizon Sunset (Series C)

Jake Brukhman

Algorithmic edition of 500

Additional details

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