In Bokeh, Michael Kozlowski unites algorithmic artistry with refined physical craftsmanship, creating sculptures, lighting, and digital works that explore the interplay of light, form, and the complexity of perception. 

At the heart of the Bokeh collection lie three hundred unique digital artworks, generated by the base algorithm that informs every physical piece. Collectors will have the rare opportunity to acquire one of thirty exclusive wall sculptures, each a tangible expression of its digital counterpart. These sculptures, sold after the digital auction on a first-come, first-served basis, embody the connection between the digital and the material, merging code and craft.

Bokeh

ÂPEX ~ is a generative landscape art project responding to the conditions of the Anthropocene, where the lines between what is possible and what is only imagined are constantly shifting.  Simplified circles give way to hyperreal spaces. It is unclear if at any point they resemble a landscape that one could actually inhabit.

At what point do abstract shapes start to resemble believable environments? Each viewer may experience this work differently, depending on where they draw the line between realism and abstraction, natural form, reality and fantasy.

While landscape art is traditionally understood to represent natural forms, it has become increasingly difficult to distinguish between the natural and manufactured. When the code runs its course and a static picture emerges, a thin barrier seems to be crossed.

The work tests out the limits between reality and hyperrealism, between abstraction and surrealism, blurring distinctions between them.

Created by Ori Ben Shabat & Ronen Tanchum

Art Blocks Presents

APEX #128

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