This project is a visual representation of realities that are out of phase. Interference patterns, colorful echoes, and emerging secrets are explored. Mathematical functions produce constant motion, but rarely, a peaceful scene resolves within the chaos. Click or press any key to pause. *Photosensitive seizure warning: These artworks contain flashing colors and moving patterns.

phase

The starting gun goes💥, and its happening. Packs of racers, proudly sporting their team colors, are competing in the race of their lives. Some are going for it. Others can't really be bothered. But you know this is where the action is at. Absolute drama around every corner. Who will be victorious, and who will stumble. Take a better look at the group by touch/click dragging the scene.

Geometry Runners

_Act of Emotion_ investigates digitally-facilitated abstract expressionism: the act of painting itself as a means of expression, extended into mechanical reach.
A reflection upon the future of automation, machine consciousness, creativity, and humankind’s inevitable consequences. As we await the next leap, we cling desperately to our belief that emotive art is an exclusively human experience. 
Inspired by those that came before—pioneering expressionists and contemporaries alike—the system engages in new methods of painting, free from traditionally accepted physical boundaries and artistic expectations. Action painting for the Connected Age; the system is in perpetual concert, recited in real-time and on-demand. 

Questioned by Colin McCahon, and recontextualised here through a generative lens: 
_How to make a painting beat like, and with, a human heart._
The machine’s movements are precise by default, grounded in mathematics. Organic expression must be introduced by twisting and destabilising; a process of broadening bounds that probes the subconscious of both artist and audience. 

Confrontingly minimal abstract compositions highlight the tension between rigid mechanical precision and fluid human intuition. Striping and stippling, swooping and darting; noisy automatism contrasted with coded instinct. 
Gestural abstraction applied with simulation of brush and emulation of media. Presence discovered through colour, texture, light and space; the works emerge as physically-manifested in digital form. 

Are these painted works analogous to physical counterparts? 
Can a machine successfully emotionally connect through this practice?
Let us consider both the intent and the act that realise a painted artwork.

_“Painting is a state of being. Painting is self-discovery.”_ — Jackson Pollock

&nbsp;

---

&nbsp;

# Controls:
- **[spacebar]** Pause/resume exhibit
- **[escape]** Reset exhibit
- **[S]** Export a still image at the current render size
- **_Double Click/Tap_** to provide a human touch

# Automatic:
- Render resolution upscales with viewport dimensions. Future exhibits will enhance alongside hardware advance. 
- Playback cadence is hardware-dependent and downscales when limited by hardware. 
- "**Perpetual**" tokens continue their performance indefinitely

&nbsp;

---

&nbsp;

# Printing:

Generatively signed giclée print renditions available up to 36x48" / A0.

&nbsp;

---

&nbsp;

Act of Emotion

Chimera is a mutation, its genetics a merging of past and present. 

New creative mediums almost always ingest those that came before. Pictograms and hieroglyphics turned into paintings, which eventually became moving images and photoreal graphics. Spoken words evolved into written text, eventually becoming complex screenplays, computer code, and a world of hyperlinks. Most mediums are not discarded, but combined or extended to incorporate new technology or ideas. 

When a new medium comes into existence, the capabilities of both the artist and viewer increase. The potential subjects within said medium can grow in complexity as well, some fully dependent on the medium that holds them. Other subjects are timeless, popping in and out of multiple movements and genres throughout history. An example of the latter is still life. From ancient carvings through contemporary art, scenes of commonality, beauty, and metaphor have persisted. Traditionally viewed as a type of technical practice or meditation (the bottom of the “hierarchy of genres”), some examples of still life have gone on to be among the most important works in art history. 

Chimera is a natural progression of still life. It is an old tradition in the very new medium of on-chain generative art, a movement that will have an enormous presence in the future. Chimera simultaneously reaches into the past while exploiting the capabilities of the present and seeks to represent a unique moment in time, a generation of art in between digital and physical realities, encapsulating where we came from and where we are going. 

NOTES:

Chimera is graphically intensive. Modern hardware is recommended. Ensure that your browser has hardware acceleration enabled.

The charitable portion of this release will be donated to various cancer research efforts.

CONTROLS:

“A”: Toggle animations
“R”: Toggle autorotation
“C”: Capture screenshot
“H”: Capture HD screenshot (CPU intensive) 

—

Thank you to all that participate in, share, or otherwise support this release. It means more to me than I can say.

Chimera

Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each my personal signature as an artist, developer, and tinkerer. Public minting of the Chromie Squiggle is permanently paused. They are now reserved for manual distribution to collectors and community members over a longer period of time. Please visit OpenSea to explore Squiggles available on the secondary market. 

Chromie Squiggle #4261
Snowfro

features

Chromie Squiggle #4261.css-1wclmit{display:none;}@media (min-width: 768px){.css-1wclmit{display:inline;}} • .css-ymsk1t{white-space:nowrap;font-weight:400;}Snowfro

features

Chromie Squiggle #4261
Snowfro