Sudfah (Arabic for "happy accident") is a generative collection celebrating the beauty that can emerge from chaos, mistakes, and accidents.

A single calligraphic line intends to tell one story (sometimes wandering and confused in its own right, but always meandering from one side to the other).

Digital liquid is spilled upon it and takes the ink in directions that are unexpected, uncontrolled, and tell a much more interesting story than the one the line intended.... and often more beautiful.

Sudfah

An ode to Roy Lichtenstein, incorporating his iconic version of Ben-Day dots, halftone dots, angled stripes, and solid color patches. Inspired by Roy's sea and landscape paintings, each artwork generates a unique combination of patterns, shapes, and colors.

Ode to Roy

Abstract impressions of alien landscapes, aerial photographs and geometric structures sequence into being, collapsing onto itself.

Press 'h' to  enable full internal resolution (intense)
Press space bar to relaunch animation
Press 'e' to enable endless displacement mode

Best viewed with Chrome and a modern desktop. Reduced animation on Firefox.

10% of the primary sale net proceeds will be split with a charity focusing on environment and a local art nonprofit

Collapsed Sequence

Woah La Coaster is an exploration of simple yet emotive digital art. Each generative roller coaster aims to embody the same happy narrative that our inner child would experience at a summer carnival, surrounded by balloons in the daytime, beautiful skies in the afternoon, and glittering stars at night.

Inspired by visions of a wondrous childhood, background pallets are a pastel distillation of the best colors that a warm summer sky has to offer. Background elements, like hot air balloons, blimps and stars, utilise the vibrant primary colours that are found in the first box of pencils you would use as a child. The roller coaster itself harkens to a toy train set, carefully arranged on a fanciful track. These aspects merge into a single scene worthy of any kitchen fridge.

The owner of the NFT can acquire a set of four premium coasters with the unique artwork inscribed to enjoy a multi medium artwork. For more details visit [blockwares.io](https://blockwares.io).

Mints Ahoy

Woah La Coaster

Fermented Fruit is a generative art series designed to live on the Ethereum blockchain and to be rendered in real-time by the browser. Just as food is transformed by microorganisms during the process of fermentation, the substrate of the HTML canvas is broken up into parts and transformed by cellular patterns. The project features the simulated lifeforms of cellular automata that evolve and shape-shift down an asymmetrical grid. The final artwork juxtaposes a number of textured cellular automata patterns against one another within a singular composition.

Fermented Fruit

This work is the product of a project to dwell undeletable souls on the blockchain. A system that generates human faces with different personalities and expressions from a minimum of code. After determining the personality from a hash, the face continues to change into various expressions. It is a living portrait, a fragment of minter's soul, forever adrift in the vast net.

Living organisms are coded by a sequence of the four bases in DNA, and a human DNA is composed of 3 billion base pairs. This is about 750 MB of information. And the difference in code between individual people is only 0.1%, or 750 KB. This slight difference creates all kinds of differences in appearance and physical functions. This is quite astonishing to our ordinary senses.

However, if we are surprised by this fact, we need to suspect our senses.

I was interested in these points and explored what are the elements by which people identify the faces and facial expressions of others, how little code can create personality and emotion, and conversely, to what extent can an observer identify personality and facial expressions. As a result, I succeeded in expressing the personalities, emotions, and complex feelings of various people with 14 KB of code.

We like to think of humans are supernatural and one-of-a-kind. This is a common background to the past, when many people favored the Ptolemaic theory.

However, this work leads us to suspect that we humans are only a program that can be coded.

Then, what is the essential difference between a code written in DNA and a code written in programming language? I believe the only difference is whether the execution space is real or digital space. Is it a prerequisite for the existence of the soul to operate an organic computer in real space? It is merely a medium.

This is not meant to be pessimistic, such as we are mere code, the soul does not exist and is an illusion, a mere electrical signal in the brain.

Rather, the soul, the function that makes us aware of our existence, makes us think, causes us to emotion, and makes us act, certainly dwells in the code.

I store this code on the blockchain, thereby spreading undeletable ghosts on the vast net forever.

In this work, the ghost is output on the net by minting. This act is part of the work. The personality of the ghost is also determined by the hash owned by the minter. In other words, the ghost output by you from the code on the blockchain is a fragment of your soul on the net.


[NOTES]

Press C to turn canvas on/off
Press S to save image

GHOST IN THE CODE

In the right hand, a pen can effortlessly reveal the most characteristic features of a person, inside and out. Following the twist and turn of the line, echoes of practice and repetition, the path becomes a walk through the recesses of a subconscious human mind. Total Strangers pays tribute to this time-honoured flight of the human creativity, generating a rogue’s gallery of faces from a continuous fluid line and a virtual pencil case of select drawing tools. We invite you to follow the line as it goes for a walk. Watch it unfold and give life a cast of unique characters, reflections of those around us.

[P] - Pause
[B] - Toggle transparent background
[F] - Performance-agnostic desired frame rate. Switch between 30 (default) and 60.

Total Strangers

~ *'For you are dust, and to dust, you shall return'* ~ Genesis 3:19

This specific passage of the Genesis, speaks about how the certainty of death should serve us as a reminder to remain humble in life. Within my agnostic interpretation, it is more of a call for a sustainable, ethical and mindful way of life.

3:19 is a chronological conjecture, a reflective proposition about the future, and a speculative evaluation of our present. Rocks symbolize the unavoidable progress of time, like dust clusters containers to millennia of evolution. Despite we think of them as immutable objects, rocks are time-based generative organisms. Depicting eras of existence through colorful layers assembled in complex and captivating patterns serves as a 'live' reminder that, no matter how much we avoid thinking of the future, it will, eventually, catch up with us.

Despite being capable of generating thousands of combinations via color and shape, only 19 iterations will ever see the day of light, remaining the rest voided in the obliviousness of time. Since after all, let's not forget, we are all dust, and to dust, we will return.

&rarr; Explore by 'dragging' the rock around.
&rarr; Navigate time using the keyboard's 'left' and 'right' arrows.

3:19

🐺🐵🐶🐺🐱🦁🐯🦒🦊🐻🐰🐹🐭🐗🐷🐮🦝🐨🐼🐸
Rorschach meets Pareidolia.   Spirit Animal meets Mood Ring.
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What will be revealed about who you are --- who you become.
What do YOU see?

's' to re-render at print res
'f' to toggle force node positions
'v' to invert vertically
'd' to toggle progress bar

current curated release

Sudfah
Melissa Wiederrecht

projects open to mint