Holger Lippmann has been working with software to develop generative applications for image and animation output for almost two decades. We had the opportunity to speak with Lippmann ahead of his Art Blocks drop, WaVyScApE.

In Conversation with Holger Lippmann on WaVyScApE

Join us for a très memorable experience in the City of Light.

Art Blocks in Paris

On the occasion of the first anniversary of the release of Leo Villareal’s Cosmic Reef, we are reprinting Charlotte Kent’s essay that originally appeared in the catalog accompanying the artist’s solo exhibition in the Art Blocks Gallery in Marfa, Texas from May to October 2022.

In Light of Abstraction

In this collection, each mark on the digital canvas is made by text of the algorithm that created it. When viewing Symbol 1, you’re viewing its code – logic becoming art.

If you look closely at an oil painting you may see brushstrokes. If you look closely at an iteration of Symbol 1, you'll see snippets of the code that generates the piece itself: text from for() loops repeated over and over; the Random() function itself weaving through the piece; and the hash code, like an artist signature, displayed on the bottom right.

Organic and mechanical forces have long been in tension in art and architecture. Art nouveau's floral  curves vs. art deco's industrial geometry, Jackson Pollock's declaration “I am nature” vs. Andy Warhol's confession “I want to be a machine,” etc.

This conversation continues in generative art. One collection might appear surprisingly organic, as if crafted by hand; another might appear strictly computer generated, showing the expressive power of machines.

Symbol 1 joins this conversation, offering another way to synthesize the natural and the mechanical. Just as a crashing ocean wave could be explained mathematically by the forces that generated it, an image in Symbol 1 appears almost chaotic while revealing the logic that created it.

About the title: Symbol 1 is a term from First Principles, a chapter in The Mathematical Analysis of Logic (1847) by George Boole, a founder of modern logic. For Boole, “symbol 1” represents “the Universe comprehending every conceivable class of objects, whether actually existing or not.”

Symbol 1

«Ottocento» is a collection of generative portraits of fictional historical figures. The series starts by exploring the nuances of the male figure as represented in the 19th century («Ottocento» in Italian). Further chapters of the project, focusing on different identities, are planned. The illustrations, drawn by hand and then converted to digital, constitute an ironic portrayal of the society of that era. The portraits, all in the same three-quarter view, reference the typological projects of German photographer August Sander.

Individual features and expressions are combined through the controlled randomness that generative art affords, deliberately blurring clear visual distinctions between nationalities, roles, and social classes. The result is an «Esperanto» of human types with an uncanny familiarity. Is that a poet? A salesman? An aristocrat? A farmer? Unlike Sander’s project, «Ottocento» doesn’t force any labels on the characters, eventually leaving the interpretation open to the viewer.

Ottocento

*3 Minute Meditations* is a set of audio/visual generative-art NFTs designed to provide the listener with a short, meditative experience.  Each *3MM* starts with a **unique fundamental frequency** and composes harmonics on top of it. One of these harmonics is a **binaural beat** that ends in the **delta** or **theta** band (associated with **mediation**, **deep** and **REM sleep**).  The others take shape as a combination of **constant and arpeggiated tones** to form an entrancing soundscape that moves through **temporary dissonance** into **climactic harmony**.  The associated visuals are representative of the sound, and follow a journey that mirrors the **sonic meditation**.

** ***The focus of this piece is the audio, which must be enjoyed with headphones in order to properly realize its effects***. **

Listeners can watch the visuals as well, or close their eyes and **sink fully into the auditory experience**.

3 Minute Meditations

Cryptocountries is a limited-edition series of digital prints using the medium of generative art. Each map is created by first procedurally generating a terrain height map and then rendering a map in a range of different styles and colours. Each print derives its randomness from a corresponding hash constraining the infinite possibilities for each print in the edition to a single unique image.

The series invites the observer to lose themselves in a selection of maps and annotated photographs from the unorganized archives that loosely chronicle the travels of a stranger in a mythical land.


## Prints 

All original token holders that mint a piece over 1.5 Ξ will be eligible for a single edition (1/1) handmade signed print of their edition using a printmaking technique suitable for the style of image (intaglio etching, screenprint, cyanotype, etc.).  The token holder will be consulted in the creation of their print. Size, paper choice, type of ink and even colours can be customized and chosen to suit the token holder's preferences.   

In addition, free signed digital prints on archival paper will be available to the following collectors
- All original holders that mint over 0.6 Ξ will receive a large signed digital print
- All original holders that mint over 0.3 Ξ will receive a medium signed digital print

All token holders will be able to purchase a signed print of any mint they currently own.

More information on prints can be found [here](https://www.michaelgdevereux.com/cryptocountries-prints).

CryptoCountries: The Unpublished Archives of a Mythical World Traveler

Aragnation questions preconceived notions of what AI art can be. Does AI art have to be powered by giant neural networks? Do the aesthetics have to be that of photos or paintings or collages of pieces thereof?

Aragnation uses tiny AI models and constructs abstract imagery in the vocabulary of abstract blobs and organic textures rather than pixels. It is playful with colors. It has a hint of a watercolor and art paper aesthetic. 

The training data includes photographs taken by one of the artists, Abhishek.  The generated pieces thus capture, in broad strokes, Abhishek’s photography – nature, landscapes and urban settings.

In a refreshing contrast to the gravity of the role AI technology is playing in content creation and creative expression, Aragnation brings a light and joyful touch to generative AI art. 

No GPUs were harmed in the making of Aragnation. All AI models are entirely different architectures than those commonly used, and have been designed and trained from scratch by the artists.

Paper

Colors

Palette

Subject

Texture

Reflection

This descending auction has a start time of {start_time} at the price of {start_price} Ξ and will exponentially decrease until the resting price of {base_price} Ξ is met.

Aragnation

Devi Parikh and Abhishek Das

2/6/2023, 6:00 PM UTC

Edition of 128

Art Blocks is dedicated to bringing compelling works of contemporary generative art to life. We unite artists, collectors, and blockchain technology in service of groundbreaking artwork and remarkable experiences.

In Conversation with Holger Lippmann on WaVyScApE

Art Blocks in Paris

Open Projects

Symbol 1

Emily Weil

0.15 Ξ

205 / 300 remaining

Ottocento

Berubara

0.2 Ξ

101 / 120 remaining

3 Minute Meditations

thetechnocratic

0.1 Ξ

188 / 333 remaining

CryptoCountries: The Unpublished Archives of a Mythical World Traveler

Michael G Devereux

0.15 Ξ

203 / 267 remaining

In Light of Abstraction

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Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

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