An exploration in generating forms in 3-dimensional space. This exclusive set of sculptures has been carved from a sea of infinite possibilities, much like a sculptor creates a singular reality from the potential in a block of stone. The shapes are illuminated by a variety of complex virtual lighting environments and yet the piece retains algorithmic minimalism with the code reduced to its pure essence -- 6370 bytes. Skulptuurs render in real time. In live view, the image keeps improving in quality. Keys 0-7 change speed: 0=Stop, 5=Default, 7=Fastest. Careful, requires a powerful machine. Requires a WebGL2-enabled browser.

Skulptuur

Anticyclones are a weather phenomena.
They pierce through darkness to instill peace and calm. Their planetary scale reminds us of how little we are and how powerful they can be.

High pressure, rotation, air flow… The "Anticyclone" series is an artistic exploration and interpretation of those concepts.

The rendering borrows its aesthetics from traditional and organic media like paper and crayons, to lend an analog/archival look.

"Can a computer draw like a human?"
The question is asked and challenged once more through "Anticyclone".

[Press the left/right keys to explore the different steps building the final image. Bottom/top for the first/last step. Can be intense for your machine]

Anticyclone

Our lives are scattered across several time scales, and the meaning of every event that takes place depends on the time scale that we choose to define & observe them from. Yet we fail to fully comprehend this in our daily errands. Entretiempos is an artwork that reflects on this, based on an aesthetic that pays a tribute to the works of Sonia Delaunay, František Kupka and other painters from their era, recreated by the usage of intersecting rings that create a varied and rich space.

The work plays with the time scales by painting dynamically and letting the viewer pause the work, restart, set it to loop indefinitely, painting and vanishing in an endless cycle. And it can be set to be done at varying speeds, to appreciate what happens in between the time scales ("entre tiempos", in Spanish).

Also, there is a broader theme that I find of interest to explore from every work that I engage with. It has to do with the concept of what I call total cognitive space, or the total range of possibilities that can be expressed / achieved with a given scenario and set of conditions. In this case, I was interested in expanding my rendition of the works of Delaunay into a broader space. How does this approach scale with varying parameter ranges? Is the painting still interesting? Can it express something new? Connected to this, I am also interested in thinking about what emotions would mean for an artificial sentient being. We talk about artificial intelligence, but leave aside artificial emotions all too often. While artificial intelligences are indeed interesting, we fail to recognize the paramount importance of emotions in human behaviour. To this end, this work explores also the result of painting with machine-like precision vs. performing the artwork with a range of possible imprecisions. The perfection of the machine vs. the imperfection of the human, does it trigger different emotions in us humans? What will the reaction of a machine be whenever they develop a taste?

This work exposes features that deal with its time and space scales, background colour, background elements, the palettes used, certain colour accents that may happen (golden accents, b&w tones), the style used to draw the geometric shapes (fill, lines, outline), the degree of paint precision and other features that influence the final result. The user may download a PNG file at any arbitrary resolution at any step of the paint process using the commands provided for that. A brief list of commands is as follows. Please note that you need to click on the artwork first to make sure it will receive the typed commands:

p to pause/resume the work
r followed by y to enter the looping mode
d followed by +/- or any number from 1 to 9 to increase resolution
s followed by c to save current image
s+f to automatically save the final image when the system finishes painting
s+m to restart and save a sequence of images of the process
r+0 (zero) to reset all parameters and resolutions and restart
k at any time to define keyframes, then r+0 to restart the work and it will automatically pause at defined steps, or s+i and the work will restart and automatically save an image at every keyframe defined with k. Reload browser to reset.

There is an Easter egg hidden in every work.

For the full project description, inspiration and rationale, as well as the full list of features and controls plus a hint at the Easter Egg, please visit the project homepage at https://www.iillucid.com/entretiempos

entretiempos

This project is a visual representation of realities that are out of phase. Interference patterns, colorful echoes, and emerging secrets are explored. Mathematical functions produce constant motion, but rarely, a peaceful scene resolves within the chaos. Click or press any key to pause. *Photosensitive seizure warning: These artworks contain flashing colors and moving patterns.

phase

Escher-style tiling of a plane, gone wrong. Each image spins hash-driven colors, shapes, and symmetries into infinity. Fly through the spiral as it morphs between beauty and madness. Keys: F = Fly through/back, D = Distort on/off, Esc = Stop, S = Save image.

Skulptuur #992.css-1wclmit{display:none;}@media (min-width: 768px){.css-1wclmit{display:inline;}} • .css-ymsk1t{white-space:nowrap;font-weight:400;}Piter Pasma

features

Skulptuur #992
Piter Pasma