The universe in which we exist is an ever changing ebb and flow of energies that coalesce into observable patterns of repetition and harmony. By practicing mindfulness one can observe their part in this universal flux and achieve a powerful sense of connection to the whole.

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Flux

The essence of all things digital is– the bit. One or Zero. On or Off. Where digital becomes analog. This piece pays tribute to our digital legacy of 8-bit color and 7-segment LED displays– technological limitations which are mirrored in the constraints of putting art on the blockchain. Although the image represents the art, the art of the token itself is the code– which renders everything bitwise, pixel by pixel, all contained within 27-bits of information.

27-Bit Digital

This edition of video artworks is the result of my research in video art from the 60s and 70s, especially early analog video synthesizers. These were heavy hardware machines capable of generating shapes and patterns from the ground up, with no external visual input. How could these machines generate such complexity by just manipulating electronic voltage? I decided to investigate this process. Although with modern technologies, Spectron shares the procedural logic with its analog ancestors.

Spectron

_Alan Ki Aankhen_ is an exploration of other-worldly cityscapes in the visual aesthetic of Fahad’s distinct style with pen and paper. The title, translated as _Alan’s Eyes_, alludes to Alan Turing’s machine intelligence test - a thought experiment foreshadowing a moment in which we can no longer differentiate between the real and the artificial. Though first proposed in 1950, the topic feels especially relevant today, as even our creative practices are being carried by shifting technological tides.

The algorithms and decision-making encoded into this generative art project intentionally imitate Fahad’s approach on traditional mediums - composition rules, textures, and overall themes. The visual elements are inspired by Fahad’s memories from his nomadic life. You’ll find intricate windows from Rajasthan, massive Egyptian pyramids rising from the horizon, a density of civilization only seen in New York, and the moon - a comforting and shared sight no matter where you stand.

Alan Ki Aankhen

**Running Moon** depicts the nuanced interaction between clouds and moonlight. It is a search for boundaries between structure and fluidity, precision and errors. It is a quest for harmony. 

The rendering of **Running Moon** is inspired by stained glass and watercolor. It captures the sharpness of the glass and the softness of light using abstract forms. As organic shapes gradually expand to fill the space, brush-pen-like stripes solder these pieces together to form intricate compositions.

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