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👉 Legowelt: *For Polychrome Music I designed a generative music system that plays an infinite composition on 3 different audio channels, each with their own synthesizer. These randomly generate simple musical timbres inspired by early computer sound chips. 🌴 The music itself is generated by randomly selecting 3 patterns out of a pool of 180. These patterns, which are little 8-bar music pieces, were written in the same C# Dorian scale so they always fit together. This is a pleasant sounding minor and colorful scale that I believe fits the general vibe of Rafaël’s work. 🌲 Composition wise, channel 1 plays the bassline and channels 2 and 3 the melody, countermelody, arpeggios and harmonies. 🌳 The system changes the patterns each time they are played, reversing, speeding up or slowing down the pattern or changing the synthesizer channel they are played on. In essence the system infinitely randomly remixes the source melodies to create ever new surprising pieces that harmonize with the colorful compositions.* 👈

Polychrome Music

This edition of video artworks is the result of my research in video art from the 60s and 70s, especially early analog video synthesizers. These were heavy hardware machines capable of generating shapes and patterns from the ground up, with no external visual input. How could these machines generate such complexity by just manipulating electronic voltage? I decided to investigate this process. Although with modern technologies, Spectron shares the procedural logic with its analog ancestors.

Spectron

Pigments is an exploration of colour and spatial distortion. Each instance is an abstract representation aimed at evoking a micro or macro-environment; from unknown substances, or oil in a canvas, to nebular formations. The pieces are animated, meant to be experienced live. The piece can run endlessly, with infinite output. To run it smoothly you need a capable GPU. If this proves to be too computationally intensive, or if you prefer a static view, feel free to press the spacebar.

Pigments

"Edifice" is a series of 976 massive, deteriorating structures built on strange terrain. It is an exploration of buildings being conceptualized, constructed, and eroded away under a wide variety of conditions. Edifice's outputs run the gamut between minimal and maximal, with some showing few large, static blocks of color, and others many small, highly textured and warped shapes. Each image is progressively constructed in front of the viewer's eyes. It is a system full of surprises that I'm excited to share with the world.

Edifice

The universe in which we exist is an ever changing ebb and flow of energies that coalesce into observable patterns of repetition and harmony. By practicing mindfulness one can observe their part in this universal flux and achieve a powerful sense of connection to the whole.

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