Lines are bent and shaded. There are no wrong turns. [Interaction in live view: press 1-7 or left/right arrow keys to see the stages of sketch construction: 1-grid, 2-divide, 3-tile, 4-bend, 5-shade, 6-color, 7-texture].

Bent

white noise contains all possible harmonics/notes/chords. by filtering out narrow frequency bands from the noise, pure sine wave “notes” become audible. we’ve limited these bands to only ever reveal specific notes from a particular musical scale. 

each piece then, is a unique iteration of this scale with different notes from it gaining prominence. sometimes they will be chordal and sometimes dissonant but always beautiful because the scale is beautiful.

visually, the white noise is represented by particles which congeal into dense lines. each line that appears is a specific note you can hear and it's amplitude is defined by the corresponding particle density. chords are represented by the lines crossing over each other.

so in summary, it's a quite literal visual representation of sound moving from an arbitrary form to musical form. natural order from chaos with infinitely variable patterns depending on which notes are audible. 

*note we’ve implemented the following variables for more radical variation in particle behavior in addition to the random generation of notes and their corresponding patterns.

- particles will either form straight line shapes or curved shapes 
- particles with vary in size from one iteration to another 
- particles will either favor white or black as their prominent b&w bias creating stark contrast between iterations as well as variables in between the two extremes
- some iterations will reveal faster and some slower

montreal friend scale

Endless Nameless is an exploration of composition. We start with a square. The square is divided into sections. The sections are filled with color pairs. Sometimes all colors are used. Sometimes fewer colors are used.

Endless Nameless

Our lives are scattered across several time scales, and the meaning of every event that takes place depends on the time scale that we choose to define & observe them from. Yet we fail to fully comprehend this in our daily errands. Entretiempos is an artwork that reflects on this, based on an aesthetic that pays a tribute to the works of Sonia Delaunay, František Kupka and other painters from their era, recreated by the usage of intersecting rings that create a varied and rich space.

The work plays with the time scales by painting dynamically and letting the viewer pause the work, restart, set it to loop indefinitely, painting and vanishing in an endless cycle. And it can be set to be done at varying speeds, to appreciate what happens in between the time scales ("entre tiempos", in Spanish).

Also, there is a broader theme that I find of interest to explore from every work that I engage with. It has to do with the concept of what I call total cognitive space, or the total range of possibilities that can be expressed / achieved with a given scenario and set of conditions. In this case, I was interested in expanding my rendition of the works of Delaunay into a broader space. How does this approach scale with varying parameter ranges? Is the painting still interesting? Can it express something new? Connected to this, I am also interested in thinking about what emotions would mean for an artificial sentient being. We talk about artificial intelligence, but leave aside artificial emotions all too often. While artificial intelligences are indeed interesting, we fail to recognize the paramount importance of emotions in human behaviour. To this end, this work explores also the result of painting with machine-like precision vs. performing the artwork with a range of possible imprecisions. The perfection of the machine vs. the imperfection of the human, does it trigger different emotions in us humans? What will the reaction of a machine be whenever they develop a taste?

This work exposes features that deal with its time and space scales, background colour, background elements, the palettes used, certain colour accents that may happen (golden accents, b&w tones), the style used to draw the geometric shapes (fill, lines, outline), the degree of paint precision and other features that influence the final result. The user may download a PNG file at any arbitrary resolution at any step of the paint process using the commands provided for that. A brief list of commands is as follows. Please note that you need to click on the artwork first to make sure it will receive the typed commands:

p to pause/resume the work
r followed by y to enter the looping mode
d followed by +/- or any number from 1 to 9 to increase resolution
s followed by c to save current image
s+f to automatically save the final image when the system finishes painting
s+m to restart and save a sequence of images of the process
r+0 (zero) to reset all parameters and resolutions and restart
k at any time to define keyframes, then r+0 to restart the work and it will automatically pause at defined steps, or s+i and the work will restart and automatically save an image at every keyframe defined with k. Reload browser to reset.

There is an Easter egg hidden in every work.

For the full project description, inspiration and rationale, as well as the full list of features and controls plus a hint at the Easter Egg, please visit the project homepage at https://www.iillucid.com/entretiempos

entretiempos

*FAKE IT TILL YOU MAKE IT* borrows from the bubbly language and pastel aesthetics of text driven instagram graphics to scrutinize the promotion of wellness, self-care, and confidence on social media.

The piece concentrates on the rhetoric employed in these posts. Persuasive, upbeat, and relentlessly inspirational, there’s a sense of authority embedded in each one. By remixing words and phrases sourced from these types of existing instagram posts, the program generates combinations that mimic their cheerful tone, but range from feeling vaguely familiar to totally absurd. 

Text is wrapped in the sugar cookie aesthetic world of “girl power positive vibes boss babe” kind of media, imitating the graphics designed to catch your eye as you’re scrolling through your feed. Visual variables include the output’s background style, color palette, and layout, as well as other decorative elements such as stars ✹, hearts ♡, flowers ✿, and sparkles ✧ :D

Online, these media objects survive on likes, comments, and shares. *What do I believe?* becomes *What do I want to appear to believe?* Fake it till you make it! Maybe your dream life lives here: In a digital, fantasy world where the algorithm plays god and loving yourself feels like looking into the light of your screen.

ଘ(੭ˊᵕˋ)੭* ੈ✩‧₊♡ ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ

FAKE IT TILL YOU MAKE IT #671.css-1wclmit{display:none;}@media (min-width: 768px){.css-1wclmit{display:inline;}} • .css-ymsk1t{white-space:nowrap;font-weight:400;}Maya Man

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FAKE IT TILL YOU MAKE IT #671
Maya Man