*FAKE IT TILL YOU MAKE IT* borrows from the bubbly language and pastel aesthetics of text driven instagram graphics to scrutinize the promotion of wellness, self-care, and confidence on social media.

The piece concentrates on the rhetoric employed in these posts. Persuasive, upbeat, and relentlessly inspirational, there’s a sense of authority embedded in each one. By remixing words and phrases sourced from these types of existing instagram posts, the program generates combinations that mimic their cheerful tone, but range from feeling vaguely familiar to totally absurd. 

Text is wrapped in the sugar cookie aesthetic world of “girl power positive vibes boss babe” kind of media, imitating the graphics designed to catch your eye as you’re scrolling through your feed. Visual variables include the output’s background style, color palette, and layout, as well as other decorative elements such as stars ✹, hearts ♡, flowers ✿, and sparkles ✧ :D

Online, these media objects survive on likes, comments, and shares. *What do I believe?* becomes *What do I want to appear to believe?* Fake it till you make it! Maybe your dream life lives here: In a digital, fantasy world where the algorithm plays god and loving yourself feels like looking into the light of your screen.

ଘ(੭ˊᵕˋ)੭* ੈ✩‧₊♡ ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ

FAKE IT TILL YOU MAKE IT

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CS/TR-86 Bootstrap Loader. . .

Starting COLORSPACE v1.0
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1.      View Fullscreen
1.     Click **[X]** w/ mouse to hide UI
1.     CRITICAL ERROR!

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    loading...
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Colorspace is a tribute to creating on the computer.
An animated painting with programed brushes, erasers, and accents.
Based on the gestures of classic screensavers and operating system UI elements.

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I was inspired by the file size limits of storing on Ethereum.
Cutting edge technology meets a floppy disc.
It reminded me of my original software tools: 
MacPaint, Kid Pix, HyperCard, on a black and white Mac Classic II.
Colliding with a decked out gaming computer, running an arsenal of software, in millions of colors.

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I hope Colorspace evokes the fun of learning new software, 
the trance like state of a late night coding session, 
and the anxiety of a HDD failure at a critical deadline.

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**`C:\> start selfPromotion.exe`**
==
 > Hi, my name is Tabor Robak.
 > I've been making art on the computer my whole life.
 > My work is collected by institutions like The MET, MoMA, and the Whitney.
 > I'm a Forbes 30 Under 30 honoree.
 > I've collabed with brands like Balenciaga and Microsoft.
 > I've taught at NYU and lectured at Yale.
 > 
 > This is my first NFT project.

  
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    Controls
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1.    **[ESC]** to shutdown*
1.    Click **[X]** w/ mouse to hide UI
1.    **[SHIFT]** to restore UI
1.    **[◄ or ►]** adjust speed
1.    Draw with **[Mouse 1]**

 Shutdown only while UI is active.
 Keyboard controls will activate
 after clicking once within canvas.

╚════════════════════════╝
  

S͎̈́̚ͅYS̟̝̾̂T̠̻̝Ë̵͎M̠̝͇̄̏͛ ̱͇̠ͤ̏͑F͞A̤̤Î̖͇̓Lͥͫ̏̀Ŭ̻R̤̩̭̋ͣ̃E̘̭̐̏ ͙̟͗̅CR̵̩͉̟͂͊̇I̹̻̬ͦ̓ͫṮ̥̖I͗́ͥ͏C̨A̴͓̣ͨ͌L ͚̦͇̆͐̒ER͝R̴͇͓̃͋O̘̽͜R

Colorspace

The starting gun goes💥, and its happening. Packs of racers, proudly sporting their team colors, are competing in the race of their lives. Some are going for it. Others can't really be bothered. But you know this is where the action is at. Absolute drama around every corner. Who will be victorious, and who will stumble. Take a better look at the group by touch/click dragging the scene.

Geometry Runners

Sudfah (Arabic for "happy accident") is a generative collection celebrating the beauty that can emerge from chaos, mistakes, and accidents.

A single calligraphic line intends to tell one story (sometimes wandering and confused in its own right, but always meandering from one side to the other).

Digital liquid is spilled upon it and takes the ink in directions that are unexpected, uncontrolled, and tell a much more interesting story than the one the line intended.... and often more beautiful.

Sudfah

This edition of video artworks is the result of my research in video art from the 60s and 70s, especially early analog video synthesizers. These were heavy hardware machines capable of generating shapes and patterns from the ground up, with no external visual input. How could these machines generate such complexity by just manipulating electronic voltage? I decided to investigate this process. Although with modern technologies, Spectron shares the procedural logic with its analog ancestors.

Art Blocks Curated

FAKE IT TILL YOU MAKE IT #698

Maya Man

About FAKE IT TILL YOU MAKE IT #698

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