This project explores the highly mathematical world of Islamic geometric patterns.

Islamic design is one of the world's great artistic traditions, but not much is known about the methods used by artisans in centuries past to construct them. One of the first attempts to formalize the geometry behind Islamic patterns was E.H. Hankin's seminal 1908 paper "Polygons in Contact", which remains a key technique today. Our project combines the approach described by Hankin with transformations of designs found at real-world historical sites.

Two Mathematicians avoids traditional ornamentation and colouring. It seeks to find beauty in the geometry of the patterns themselves, embellishing only with subtle combinations of basic line and dot shapes. Its two archetypes contrast the precision and order found in Islamic patterns with the informality of a rough draft. In that, it reflects the personalities of its creators, alternating between the obsessive need for order and exactness, and the embrace of just winging it.

Controls:
- Zoom in or out with scroll wheel, or arrow up/down. 
- Press 'i' to see the underlying structure.

Two Mathematicians

I find the patterns which emerge from the herding of sheep and the murmuration of starlings an apt metaphor for our own journeys of searching for truth, beauty and love while we're here. These pieces are best viewed live to witness how the path of these digital creatures' lives paint their tiny planet. ***
I behold the sleeping planet ​| Plucked from the sky | Rolled around in my hands. | “My Word formed it.” | Time worn, | Life stained, | Soil rinsed and washed. | “Our story in repose.” | Love lost, | Wanderlust, | Loud surrender. | “It must have been painful.” | Placed in my collection, | Delicate and beautiful, | When viewed from this distance. | Selah. | I return my gaze to the heavens. *** 
25% of sales above resting price will be used to fund The Playability Initiative whose mission is to design free, fun video games and creative digital tools to kids with disabilities.

Beauty in the Hurting

On a cosmic stage, these actors sing an infinite song. What do they reach for? Who are they searching for? Do their faces show wonder—or sadness? Sometimes they sing for themselves, sometimes they sing for the crowd, and sometimes they sing for the void. Like us. (25% to environmental charities)

The Opera

Neophyte MMXXII is my ode to the computational beauty of nature. Generative plants grow from nothingness, bloom, fade away, and regrow anew. Each NFT produces a unique species of simulated plant life, and new varieties within that species arise over time. 

The emergent qualities of the genetic code cause Neophyte to ebb and flow between stability and unpredictability. Long term observation is rewarded, as the longest cycles take several hours to complete. These qualities combined, result in artworks which may be cyclical and relatively stable, or may never repeat themselves. 

Neophyte MMXXII is the culmination of an artistic inquiry spanning ten years, five software development environments, and a dozen artworks. If you’d like to learn more about this history, please visit my website.


A note to collectors: 

Collectors of the first 25 editions to be minted may request a signed 19.5x12" (50x30cm) printed circuit board artwork commemorating the release of Neophyte MMXXII at no additional charge. See @sterlingcrispin on Twitter or sterlingcrispin.com for more details.

Neophyte MMXXII is released under the NFT license 2.0, so collectors are free to make prints of their token, and commercialize them within limits. See the NFT license for details.

Neophyte MMXXII

Himinn is a painterly cloud study exploring light, color, and the generative composition of clouds in the sky. The algorithm creates natural forms and the illusion of ever-changing atmosphere through carefully structured layers of color and shape. Himinn means “a sky”, and it has been incredibly fun to paint the skies with code.  


Himinn #524
Sarah Ridgley

features

Himinn #524.css-1wclmit{display:none;}@media (min-width: 768px){.css-1wclmit{display:inline;}} • .css-ymsk1t{white-space:nowrap;font-weight:400;}Sarah Ridgley

features

Himinn #524
Sarah Ridgley