The Amoeba is a study of repetition, patterns, and harmony. The code repeats simple shapes in different positions and sizes until they build up to form a colorful and lively Amoeba. View in live mode to watch it dance. Press [1] - [4] to adjust rendering quality. Press [s] to take a snapshot of the Amoeba. Charity: 25% of sales for the first 24 hours will be donated to Meals For Unity, a nonprofit grassroots organization dedicated to reducing food insecurity among marginalized communities in the New York City area.

Amoeba

Sol LeWitt's Wall Drawing #118 instructs executors to connect randomly-placed points with straight lines, on a continuous surface of wall. Art Blocks Project #118 imagines that seminal artwork executed on complex, algorithmically-generated walls.

LeWitt Generator Generator

A collaborative project that transitions the visual aesthetic of a Matt Bilfield peg piece to the generative art world. “Pixels” from the physical world take on new life as the limitations of reality are removed and they are free to assemble and morph without the rigidity or permanence of wood, paint and glue. Round and square variants incorporate multiple color palettes into four unique styles, each with their own distinct attributes. Additional variety in dimensions, depth, color placement, animation, and light modes ensure no two are alike. Make sure to explore the intricacies of each piece by using the mouse to see all angles. Keyboard shortcuts: a: toggle animation, r: reset camera position, s: save screenshot.

Transitions

Himinn is a painterly cloud study exploring light, color, and the generative composition of clouds in the sky. The algorithm creates natural forms and the illusion of ever-changing atmosphere through carefully structured layers of color and shape. Himinn means “a sky”, and it has been incredibly fun to paint the skies with code.  


Himinn

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Amoeba #137
last even

features

Amoeba #137.css-1wclmit{display:none;}@media (min-width: 768px){.css-1wclmit{display:inline;}} • .css-ymsk1t{white-space:nowrap;font-weight:400;}last even

features

Amoeba #137
last even