These shapes are nothing more than rectangles and lines.

And yet...

There is a concept in painting called 'pentimento', the presence of earlier forms or images that have been painted over. These could be changes that the artist made deliberately, or mistakes that they were able to cover. Sometimes as the paint fades, the pentimenti will be revealed, but often they will remain unseen.

The challenge is to recognize the pentimenti that influence the canvas, but cannot be found there even at the base layer. These are scattered throughout the years of the artist's life.

'Thoughts of Meadow' is a generative system that distorts a chess-like grid into complex shapes. Many of the outputs give the illusion of immense three-dimensional structures using simple geometric principles. It is an attempt to represent the concept of 'pentimento' through the rendering process. Each layer builds upon the complexity of the previous one but also covers it. If you look closely through the gaps in the grid, you can see the incremental changes that took place.

In that sense, this project is a reminder for myself of where I'm from, an incredibly small town called Meadow, and the gratitude I feel for the years I spent there. The first layer of my life's pentimento.

As always, I doubt this project would exist without the work and observations of Vera Molnár. Squares were certainly made for her, I just appreciate being able to borrow them once in a while.

Thoughts of Meadow

This project explores the highly mathematical world of Islamic geometric patterns.

Islamic design is one of the world's great artistic traditions, but not much is known about the methods used by artisans in centuries past to construct them. One of the first attempts to formalize the geometry behind Islamic patterns was E.H. Hankin's seminal 1908 paper "Polygons in Contact", which remains a key technique today. Our project combines the approach described by Hankin with transformations of designs found at real-world historical sites.

Two Mathematicians avoids traditional ornamentation and colouring. It seeks to find beauty in the geometry of the patterns themselves, embellishing only with subtle combinations of basic line and dot shapes. Its two archetypes contrast the precision and order found in Islamic patterns with the informality of a rough draft. In that, it reflects the personalities of its creators, alternating between the obsessive need for order and exactness, and the embrace of just winging it.

Controls:
- Zoom in or out with scroll wheel, or arrow up/down. 
- Press 'i' to see the underlying structure.

Two Mathematicians

Center pivot irrigation is a mainstay of the American farm. Like giant inkjet printers, they have painted verdant circles onto landscapes since the 1950s. The artists of this piece grew up in America’s breadbasket near the birthplace of the center pivot, surrounded by the nostalgia of the Family Farm. These were years of innocence – free from concerns of water shortages, chemical leaching, and economic controversy. The tension between childhood times and today’s environmental reality is a canvas for re-envisioning center pivots: they are fundamentally giant drawing machines. What happens when water is rationed? …when they are free to draw? …when they behave unexpectedly? Your token serves as the instructions for these machines—instructions that either constrain or liberate the machine to paint fantastical scenes.

Watch the project teaser video, learn more about the rationale, and see example mints at https://centerpivot.art/

Additional controls interact with each other and have varying impacts during different periods of the animation. Experiment to create and save a new variation of your mint!
'Arrow up' increases evaporation
'Arrow down' decreases evaporation
'Arrow right' increases overspray
'Arrow left' decreases overspray
'.' begins sunset; neon colors emerge depending on when initiated
'/' shows pivot mechanisms only
's' saves screenshot

Center Pivot

Tens of thousands of particles are traversing the force field, leaving a trail in their path. The sum of their trails reveals the face of the eldritch horror hidden in a token hash. Some look like smoke, some look like tentacle-mouthed elder gods. What do YOU see there?

"Summoning Ritual" is an exploration of generating emergent pareidolia-inducing shapes using particles, symmetry, and a set of force fields. 5142 bytes of javascript is just enough to summon visions of ethereal beings.

Requires a WebGL-enabled browser. Renders in real-time. Speed and quality depend heavily on the canvas size (the particle size and count are functions of the canvas size). Keys l(ow),m(edium) and h(igh) switch rendering quality. Keys 1-5 control the rendering speed.

Any similarity to actual deities, living or dead, is purely coincidental.

Summoning Ritual

Recursion is a generative art project whose concept is recursion. Each variation starts with a block which is irregularly divided into smaller blocks, which are then divided into smaller blocks, which are then divided into smaller blocks, etc, based on a defined depth (to better visualize this concept, take a look at https://hevey.art/blog/recursion-concept). In this project, even the script is recursive! The script is able to generate a large number of variations and each of these variations is then able to generate its own variations (keeping the same properties) with a single click on the image.

Recursion #242
Hevey

features

Recursion #242.css-1wclmit{display:none;}@media (min-width: 768px){.css-1wclmit{display:inline;}} • .css-ymsk1t{white-space:nowrap;font-weight:400;}Hevey

features

Recursion #242
Hevey