This algorithm features a generative pattern created after subtracting two small numbers using the sum to place circles. All colors, positions, and color patterns are based off Ethereum blockchain data.

Star Flower

Ancient runes deterministically arranged and animated in order to create mysterious magic spells.

Incantation

“Squares” utilizes the shape of a square as a unit of construction, combining and overlapping them at various scales to create interplays of color, structure, and atmosphere. The overall effect is something along the lines of Bauhaus meets Blade Runner, as complex rectilinear forms float untethered through fields of light and texture.

Squares

This project is an exercise in simplicity, simulating stains of ink made through points and noise. 

Since creating art with code, I’ve wanted to reproduce the physical with the digital. 
Stains On A Canvas emerged from this desire to produce a hand-made canvas painting. 

Stains On A Canvas’s background textures use points or grids, and the algorithm explores the maximum difference between each iteration. The collection is divided into styles, named after popular flowers in my country [Brazil]. Colors are randomly generated to create unique tones paired with the variety of shades and shadows.





-Press from 1 - 9 in your keyboard to adjust the pixelDensity and increase/equalize the resolution quality according to your screen.

-Press "S" to save a .png file in the resolution quality you choose.

Stains on a Canvas

"Seadragons" is a generative catalogue of imaginary sea creatures from Syngnathidae family. Each seadragon belongs to one of the real Weedy, Leafy or Ribboned species, while the patterns and the small leaf-like appendages are an artistic interpretation. The dragons are rendered in real-time allowing you to watch them slowly drifting in the water or moving your mouse to nudge them slightly.

This project is a continuation of my long term fascination with using code to recreate forms and patterns occurring in nature. By using a range of non-photorealistic rendering techniques I strive to document those explorations as if they were actual sketches, posters or biological illustrations of the encountered specimens. Algorithmic variations of their patterns, sizes, colors, poses, complexity and surrounding seaweed present in each artwork are only a minor drop compared to the diversity observed in natural environments. 

15% of profits will be donated to oceana.org for protecting and restoring the world’s oceans on a global scale. Another 10% will be donated to givewell.org.




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Star Flower #27
Ruben Alexander