Last night I dreamed of Murano and of paperweights... 

"Murano Fantasy" is an tribute to glassmakers who, since Antiquity, have been producing murrines.
Murrines are assembled into paperweights, with different layouts.
The central cane, when present, is often sophisticated, and the paperweight might be signed by the artist.

As with real murrines, a part of the pleasure is to use a magnifying glass: press 'n' (next) or space to automatically focus on noteworthy canes; use 'p' (previous) to go back to previous cane; 'c' (clear) to reset zoom; and click wherever you wish.

Murano Fantasy

Andradite comes from the transposition of my Modo7 protocol into sculptures. Heavy brutalist shapes that come together to create dark monolithic structures half way between sculpted objects and troglodytic architecture. The name of the script comes from the andradite, a stone which crystallizes following cubic patterns and can be found in deep dark color. The gradient backgrounds create depth and mood and recall the way they showcase the stones in professional mineral photographs.

Andradite

Good Vibrations is a kind of philosophy from our culture. It's not just a graphic, or melody. It mentions our journey through all of our lives. Inspired by Minimalism and some works of Ligeti György Sándor and Steve Reich, Good Vibrations creates unique geometries by each unique transaction hash. "Everything in Life is Vibration" Albert Einstein's states. The universal law of nature states that everything has its vibration, and all vibrations will make their voice audible or inaudible. It’s all of our events in the totality of our life, from every dimension—and we cannot determine if they are good or bad, dark, or light.

Good Vibrations

When does a work stop being the representation of our world and become art?
Can we appreciate a work of art without measuring it with our space-time parameters?
In Time Atlas 🌐 the link with our Earth shaped over millennia through the urbanization process is explicit.
Time Atlas 🌐 uses geo-referenced city data intensively and displays it randomly in geographic areas, showing the current time of each city, whether it is currently exposed to the sun, at night or at dusk by changing the reference color palette . There are over 200 cities collected in its monumental internal archive, each with its own latitude and longitude values, UTC and DST time, number of inhabitants.
Each instance shows a square of our land, the cities arrange you in a grid that respects the distances in proportion. The background rotates to the current value of seconds which is the same all over the world. It is potentially composed of 8 geometric elements that can be present with different probabilities.
City clocks can be of 4 different shapes; the length of the pendulum that rotates with the time of the seconds is composed of 5 elements that combine randomly but the length of the pendulum corresponds to the number of inhabitants of that city.
The elements of the composition can be turned off and on again thanks to these keys:
[c] toggle cities
[w] toggle watches
[b] toggle background
Finally, there is the Written Circles variation. It takes up a past work of mine with the same title and in my initial idea it had to be the only aspect of Time Atlas 🌐. The salient feature of the Written Circles display is that it does not have a rotating background but, for each city, the crown of minutes is proportional to the number of inhabitants, therefore interesting moiré effects are obtained in superimposition. 

Time Atlas 🌐

Wabi-sabi, an ancient Japanese aesthetic sense, refers to finding beauty in imperfect and lonely things.
Life is irrational and ephemeral. 
Peace and happiness are illusory, built on a fragile balance. 
Wabi-sabi is an immersion of the quality of loneliness within ourselves that accepts various nuances to be beautiful, through a sophisticated lens.
This work attempts to store the compelling concept of Wabi-sabi on the blockchain as the code dynamically generates brushstrokes based on motifs of Shodo (Japanese calligraphy)

Wabi-sabi begins with a deliberate movement in which an ink-soaked brush is plopped down onto the paper, causing the ink to splatter.
Thereafter, a unique algorithm assists in drawing brushstrokes. 
The various forms that emerge from the balance of lines that are straight or curved, regular or irregular, strong or slight, complex or delicate, with varying speeds analogize a person’s will through the brushstrokes. The bleeding, scratching, and splattering of ink lend the modelling even more complexity. Wabi-sabi does not impose precision in creating Shodo strokes. You may notice how the colors always bleed in the same direction, which is impossible to generate in our physical reality. This is because even if the brush is impregnated with multiple hues of ink, the bristles rotate as the brushstrokes are drawn. It may also generate three-dimensional patterns, a feature that is absent in physical practice, offering the impression of depth, as if brushstrokes were drawn arbitrarily in space. This is achieved by controlling the focus.

A key feature of each artwork is that it can be edited. A piece of art is usually completed by the artist and presented to the viewer. I intended to make this work as imperfect as the concept of Wabi-sabi, which can be infinitely edited by the viewer. This is impossible with conventional NFTs, with generated image data uploaded to a server. Such is the luxury in art created with on-chain generative art by code.

For each composition, the blank space as the foreground and background is a conscious and elemental choice in this work.
Wabi-sabi is to accept the lacking. Some artworks can have much of the space as blank, which may seem odd but is consistent with the narrative. Digitally native art often takes full advantage of the computing power to lay out complex patterns across the entire canvas. Wabi-sabi is minimal as a contemporary take on that trend. Through the bleeding and scratching of ink in each brushstroke along with the blank space represented in this work, we welcome imperfection. Conceptually, contrasts between movement and stillness, strength and weakness, audacity and delicacy, complexity and simplicity, vividness and fadedness reveal a melancholic beauty.

The search for beauty through imitation and slight modification, and the exploration of the techniques used to create traditional or innovative shapes, is akin to the training in Shodo. 
Simply said, you cannot do it well the first time. The Japanese word for Shodo ("do") means "road". It is by travelling down the long road involving hours of training and exploration, that the sensitive concept of Wabi-sabi may be understood.

The underlying intention is to facilitate partaking in the process of the artist's exploration. The viewer is the artist and the artist is the viewer, sharing a sense of camaraderie that lives forever on the blockchain

[NOTE]
-Move the mouse over the left edge of the canvas and press the Edit button. 
-To edit, press the ‘S’ key
-To save the image press the ‘R’ key.
-To redraw, modern hardware and browser hardware acceleration is recommended. The Chrome browser on a desktop with a high-end GPU is optimal. On iOS, the best experience is available on iOS 12 or later.

Art Blocks Presents

Wabi Sabi #77

Kazuhiro Tanimoto

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