Wabi-sabi, an ancient Japanese aesthetic sense, refers to finding beauty in imperfect and lonely things.
Life is irrational and ephemeral. 
Peace and happiness are illusory, built on a fragile balance. 
Wabi-sabi is an immersion of the quality of loneliness within ourselves that accepts various nuances to be beautiful, through a sophisticated lens.
This work attempts to store the compelling concept of Wabi-sabi on the blockchain as the code dynamically generates brushstrokes based on motifs of Shodo (Japanese calligraphy)

Wabi-sabi begins with a deliberate movement in which an ink-soaked brush is plopped down onto the paper, causing the ink to splatter.
Thereafter, a unique algorithm assists in drawing brushstrokes. 
The various forms that emerge from the balance of lines that are straight or curved, regular or irregular, strong or slight, complex or delicate, with varying speeds analogize a person’s will through the brushstrokes. The bleeding, scratching, and splattering of ink lend the modelling even more complexity. Wabi-sabi does not impose precision in creating Shodo strokes. You may notice how the colors always bleed in the same direction, which is impossible to generate in our physical reality. This is because even if the brush is impregnated with multiple hues of ink, the bristles rotate as the brushstrokes are drawn. It may also generate three-dimensional patterns, a feature that is absent in physical practice, offering the impression of depth, as if brushstrokes were drawn arbitrarily in space. This is achieved by controlling the focus.

A key feature of each artwork is that it can be edited. A piece of art is usually completed by the artist and presented to the viewer. I intended to make this work as imperfect as the concept of Wabi-sabi, which can be infinitely edited by the viewer. This is impossible with conventional NFTs, with generated image data uploaded to a server. Such is the luxury in art created with on-chain generative art by code.

For each composition, the blank space as the foreground and background is a conscious and elemental choice in this work.
Wabi-sabi is to accept the lacking. Some artworks can have much of the space as blank, which may seem odd but is consistent with the narrative. Digitally native art often takes full advantage of the computing power to lay out complex patterns across the entire canvas. Wabi-sabi is minimal as a contemporary take on that trend. Through the bleeding and scratching of ink in each brushstroke along with the blank space represented in this work, we welcome imperfection. Conceptually, contrasts between movement and stillness, strength and weakness, audacity and delicacy, complexity and simplicity, vividness and fadedness reveal a melancholic beauty.

The search for beauty through imitation and slight modification, and the exploration of the techniques used to create traditional or innovative shapes, is akin to the training in Shodo. 
Simply said, you cannot do it well the first time. The Japanese word for Shodo ("do") means "road". It is by travelling down the long road involving hours of training and exploration, that the sensitive concept of Wabi-sabi may be understood.

The underlying intention is to facilitate partaking in the process of the artist's exploration. The viewer is the artist and the artist is the viewer, sharing a sense of camaraderie that lives forever on the blockchain

[NOTE]
-Move the mouse over the left edge of the canvas and press the Edit button. 
-To edit, press the ‘S’ key
-To save the image press the ‘R’ key.
-To redraw, modern hardware and browser hardware acceleration is recommended. The Chrome browser on a desktop with a high-end GPU is optimal. On iOS, the best experience is available on iOS 12 or later.

Wabi Sabi

***Ingress*** is an immersive, interactive virtual space filled with color and lights. A visitor stands in the middle of the synthetic space with nothing to define their orientation or the interior scale. Sight direction might be an initial clue to the positioning, but as it turns out, it would be misleading. Floating, pulsating, and blending lights either close the surroundings or open it to infinity. Even though there are no restrictions in viewing direction, the visitor's position is bonded to the center. 

The feeling might be calming, or disturbing. One might find it a beautiful and peaceful surrounding for contemplation, while others will recognize reminiscences of dark video games. Some spaces might be perceived as energetic music clubs, while others will resemble temples' interiors.

Mobile rendering brings an even more powerful experience. When the device is moved, the visuals change accordingly. A small screen held in the viewer's hand turns into a discrete window allowing for some augmented voyeurism. The urge to see the hidden space makes the visitor move around, reach out and discover the ambiance. It's an opportunity of experiencing the second world, located in an unknown dimension.

Mobile devices are recommended for the most augmented and immersive experience. 
*Use a chromium-based browser for the best experience (e.g. Chrome, Opera). iOS devices need orientation data permission.*

On desktop devices, a fullscreen display is suggested.

***navigation:***
mouse: `LMB + drag, scroll`
keyboard: `arrows, +, -`
mobile: `interactive, pinch`
view presets: `[1]` – still camera, `[2]` – predefined camera movement
save image: `[s]`

Ingress

__*Implications*__ explores the symmetry of a chaotic system in motion. Each output contains a selection of geometric shapes that slide, twist, and resize over time. Their intersections divide the canvas into two regions, each with its own set of rules for generating mathematical textures. As predictable geometry and chaotic automata intersect and evolve, a variety of organic and artificial patterns emerge. Gradually, the colors and rules shift, and new forms appear. Through a series of carefully reflected changes, symmetry persists.

Each animation is constructed from large virtual pixels. By varying their scale, spacing, and alignment a variety of patterns are generated — ranging from a pixel art aesthetic to one with softer, larger-scale structures. Where does a tiny pixel end, and the emergent whole it’s a part of begin?

Building on the foundation laid in __*mono no aware*__ and __*Zoologic*__, __*Implications*__ continues the work of making the beautiful complexity of cellular automata visible and accessible. New techniques for optimization, color generation, and constraint selection -- along with simplifications to features and interactive controls -- place focus squarely on an endless and compelling animated experience.

__*Implications*__ is a meditative work best experienced over the course of at least a few minutes. Put on some music, full-screen the live view, and enjoy the show! What sorts of symmetry do you see? What sorts of shapes and textures are there, and how do they move? For viewers who would like to customize the detail level, frame rate, and other aspects of the viewing experience, press **[H]** to open a menu describing the available keyboard controls.

Implications

What do you see when you close your eyes and your retinas still burn from computer screen light?

I Saw It in a Dream

Timepiece is an exploration in objective and subjective time. Each Timepiece is a dynamic figure with different graphic and kinetic characteristics that give it a unique personality — from calm and subtle to fast and playful. The piece is a clock that runs in real-time, and the form is generated by the positions of the clock hands, which appear when clicked and reveal the underlying mechanics of the piece. The thumbnail of each piece reflects the time it was minted (in UTC). 

Art Blocks Presents

Wabi Sabi #96

Kazuhiro Tanimoto

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