*🔈 Click anywhere to start the soundtrack 🔈*


***Race Condition*** is a racing game where you're flying through space at rapid speeds and see colors and shapes swoosh by. 


The game-objective is straightforward: you accelerate and try and stay on the road, if you miss a jump or a turn, you crash! The script determines the properties of your spaceship, acceleration, handling and max speed, as well as the map layout, including difficulty, color composition, and available power ups.


Once the series has been fully minted, a highscore of all the mints will be created on [racecondition.art](https://racecondition.art). The winners in each category will be awarded an additional Race Condition Winner NFT. The categories include but are not limited to fastest spaceship, most difficult level, easiest level, worst acceleration, and worst max speed.


In *Race Condition*, the winners are not determined by your driving skills, but by something outside of your control, the properties and features of your mint. Is your level more difficult than the others? Is your spaceship faster? Whether you are a winner in one of the categories is not really up to you, so enjoy the ride and race without pressure! 

**The Controls**
⬆️ or **W** to accelerate
⬇️ or **S** to decelerate (and cancel Nitro)
⬅️ or **A** to drive left
➡️ or **D** to drive right
**Space** to jump
**N** to activate Nitro
**M** or ⬇️ **S** to stop Nitro
**ESC** to open settings

Shortly after loading, the spaceship will start to race the map by itself in *self-driving mode*, where it can't crash. As soon as you press a key on your keyboard, it switches to *driving mode*.

**The Levels**
Race Condition has 21 different map generating algorithms, each with their own set of challenges and difficulty rating. The algorithms take into account the playability in combination with the difficulty and try to strike a good balance between the two. Each mint gets a difficulty rating and that determines which map pool is used for the creation of the level. The easy ones requires next to zero effort whereas the hard ones require a lot of skill in driving. The Easy Medium Hard means that it can select map algorithms from the complete pool.

**The Music**
The music is generated by first selecting a scale from a set of 14 predefined ones, combined with two oscillators / synth configurations, and spread across an imaginary step-sequencer, where the hash determines which steps should be activated or not, how long the sequencer should be, what BPM it should be, and when it step into the next phase of the step-sequencer, which results in some very nice chip-tune repetitive tracks. 

**Notes**
On mobile, the spaceship accelerates automatically and you turn left/right by tilting your device. You need to grant permission for this to work, if you decline, the spaceship will drive by itself in *self-driving mode*.

Race Condition

Generative music in 40-140 bytes on-chain. ByteBeats are miniature functions that synthesize audio (and video) via bitwise operations (&^|<<*+/%>>). Because bits form groups in powers of 2, 4/4 beat-driven music emergently self-organizes. Each function in this drop is itself randomly generated, grouped into six families of composition and four families of visualizers. Some ByteBeats loop, some generate new patterns indefinitely. Some are for headbanging, some are for climbing forever through oceans of phase cancelation. (Instructions: click to play ...)

♫ ByteBeats

Inspired by the shapes and colors of childhood and the exploration of planets, where translucent vinyl shapes overlay to create new colors to spark the imagination. Using the token code the location of shapes and colors are generated. Watch out for the Entity in their latent spacecraft. Based on an original artwork by Liza Grace "Colorform Multiverse"

Color Magic Planets

Drifting apart as the little islands that we are, you may ask yourself
_What is bigger - the inner space or the outer?_

This project was inspired by the multitudes we keep within us. The harsh shadows and the combination of pure 2d rendering with a 3d effect mimic feelings of separation from the rest of the world. Their undetermined scale reflects the seemingly unlimited depths of consciousness.

_The Inner World_ starts its rendering from one or more circular cores representing the centers of our personalities. Each of these cores spawns various thoughts and emotions, flowing as tendrils through the scene, making connections among themselves or reaching for the outside. Their movement ranges from straight and orderly to (seemingly) chaotic, sometimes twisting the clean underlying personality center into a completely different shape. Two rendering styles (illustrative and shaded) with palettes ranging from cool, gloomy and serious to cheerful or dramatic reflect the variety of predispositions.

While waiting for the rendering to complete, look at the focus animation highlighting the circular cores of your piece. You're invited to spend this time pondering how everything you know, everything you have or will ever experience, and even the most majestic sights from stars to microbes fit into the space between your ears.

The Inner World

From the Insecta Class and Apidae Family, we find the Species Apis Mellifera: the western honey bee.  One of the more iconic aspects of honey bees is their hive, the hexagonal grid we call honeycomb; an efficient use of resources and space, and a beautiful representation of a geometric shape found in nature.

The humble grid has also been a mainstay of generative art from its earliest days.  Code up a loop or two and see what you can do.  What I've done with grids has been seen in many of my projects over the past year; in *Polka*, *Over the Air*, *Ode to Untitled*, and now *Mellifera*.  Breaking from the rectangular and square grid, and embracing the complexities of the hexagonal grid, *Mellifera* creates patterns working within the points and sides of a hexagon while laying out those patterns across a honeycomb like structure.

While working through this series of grid based projects, one main area of study has been finding ways to move off the grid, at least in appearance.  A recent move to a rural home has left me much more off the grid, and there's been a parallel through my projects.  Increasingly, I've explored ways to make the overall aesthetic not appear grid-like, to have a more organic feel, all the while though still centering elements perfectly in their place across the grid.  *Mellifera*, with its use of hexagons, imperfections, unique symbols, rotation, and negative space, is another step in this evolution, and the largest one yet.

While most of my work has embraced the digital and machine-like feel that computers and code are so easily capable of (again influenced from my appreciation of Roy), *Mellifera* moves in a new direction, introducing a more imperfect and human feel to the lines, shapes, and symbols.  These imperfections change the overall aesthetic drastically and are a main component in helping break away from the grid, visually.  While honey bees are incredible in their ability to create beautiful hexagonal geometric patterns, there's still a natural, lived-in feel to their creations, and *Mellifera* uses this organic quality as inspiration.

***


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Art Blocks Presents

Race Condition #128

Jonas Lund

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