Volute is the result of different stages of my experience in Generative Art over many years put together, drawing on early and new techniques plus my recent forays into long form generative art.

I set out to explore the essence of generative art, seeking, discovering, coaxing and exposing the variety of outputs from a simple system.

The soulless algorithm is counterbalanced by the exclusive use of colours from nature as prime sources. Brutal symmetries and complexities are softened by decentring and subtle layer transparencies. Pixel feedback loops generate radial symmetries and spirals, producing a variety of flower structures, volutes and arabesques. And when I view the results - their rhythm, their surprises, their flow - they justify for me my earlier choice of technical process.

My aim in Volute is to create, using gentle spiraling motion, the calming effect of marveling at flowers in nature.

Volute

A symphony of nothing but squares and triangles to create something beautiful.

Squares and Triangles

INTRODUCTION

Voyager 1 and 2 have been launched in 1977. They are the farthest man crafted objects from Earth. It will take tens to hundreds thousands years for them to reach other stars and planetary systems despite a velocity of 17km/s... 
The on-board camera, mysteriously, sends back images of the remote planets and their moons...

Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas (Do not go gentle into that good night)

ARTWORK DESCRIPTION

The artwork represents a planet and its moons. There is an important variety of planet/moons types, different perspectives (far or near the planet and moons), different space environments (stars, Milky Way, star clusters,  comet, eclipse, Einstein cross and ring, Magellanic Clouds...). A very rare Gravitational Wave affecting space properties can occur. Usually Monochromatic, there is a variation with the addition of one color. In "live view" use the interaction possibilities to explore a given planetary system...

TECHNICAL DETAILS

In the same way photons hit the CCD camera, tiny squares hit the canvas.
The algorithm is minimalist : pick a random position in the canvas and decide if a monochromatic tiny square has to be drawn or not (rarely, squares can be drawn in 2 colors). The light parts are drawn only through the absence of drawing. The whole complexity resides in the decision to draw or not to draw. Mathematical functions are underneath each decision, like space and time are underneath all of our world. 


INTERACTIONS

You can interact with keyboard commands or through URL parameters.
- press S : to save the current image in png
- press 2, 3... 9 (URL, add DP=2) : change resolution. Increase the value step by step. Can be very long to draw, but it's worth it for printing. Very High Resolution can be achieved. The file is saved automatically when finished.
- press L (URL, add liveMode=true) : to discover different views of your planetary system (images will be drawn one after the other, with the same parameters for the main planet and the space environment).
- press F (URL, add fitToScreen=true) : to adapt the artwork to any screen size (artwork is changed but parameters remain the same)
- press M (URL, add monoChromatic=true) : to force the artwork to be monochromatic
- press G (URL, add GW=false) : to remove the gravitational wave effect
- URL, add offset=<Number>, to offset the image production (same planet parameters and space environment)
- URL, add grainy=true, to change the size of the grain (useful for displays to speed up the creation process)

URL Parameters are added to the end of a URL after a ‘?’ symbol, and multiple parameters can be included when separated by the ‘&’ symbol.
You can combine "?liveMode=true&fitToScreen=true&grainy=true" in the URL for display purpose (TV, Art show...). 
Combining liveMode and DP for resolution allows you to save all the images produced.


EXTERNAL LICENSE

Voyager is built with p5js and a simplex noise library under MIT license: simplex-noise.js.


DISRUPTED STAR

I am a French astrophysicist (PhD) working in high energy astrophysics.
My artist name is related to an astrophysical event in which a star, a pretty common object in the Universe,  comes too close to a Super Massive Black Hole (SMBH), is torn apart and finally tidally disrupted...
The Generative Art plays the role of the SMBH that has changed my life in many ways in the past years...

Voyager

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

Gen 3, the third and final installment of the Gen-Trilogy series, uses word combinations to create unexpected phrases. The phrases play with meaning, or the idea of it,  while characterizing identities relating to blockchain and NFT culture in a fun and abstract way. Gen 3 continues an emerging trend of parsing the minted token's hash in order to produce a deterministic image or animation. For each Gen 3 minted, 40% of the proceeds are donated to a non-profit organization called EveryShelter whose mission is to repurpose waste products into useful materials designed to help people in need. More information can be found at https://everyshelter.org/

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