Talking Blocks listens to the Blockchain hash # and creates a unique artwork with a signature stamped into the image that is a direct message from the blockchain. This provides the collector an assurance of authenticity while leveraging the blockchain to generate a unique message, a retina print of the blockchain hash #. This is an instantly recognizable visual signature. You can interact with the artwork to modulate a sonic reaction of oscillating circular waves. The permanent immutability of the underlying token hash # is combined with a non-repeatable signature from a person interacting with the artwork, all in real-time. In other words, you can have a conversation with the Blockchain.

Talking Blocks

Letters to My Future Self is a series looking at communication through time. There is so much I want to tell my future self that words can't express: from the fear and anger I've felt in lockdown isolation to the joy in finding new friends and community. Each piece in this series becomes a small part of a much bigger story -- letters sent into the future expressing our collective hopes, fears, sadness, and love. A moment in time captured in perpetuity on the blockchain for future generations to find and reflect on. 25% of proceeds will support future artists through art education grants via Donors Choose.

Letters to My Future Self

Rituals combines generative music and generative artwork to create 1000 unique windows into a singular parametric universe. The music and art are crafted to infinitely evolve, giving collectors a subtly new experience upon each viewing. If left running, a single Ritual will continue generating music and art without repeating for ~9 million years. We invite you to hold space for yourself and enjoy a moment of mindful stillness. The first 200 were minted in real life at Bright Moments in Venice, CA, USA in September 2021.

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Artwork by Aaron Penne (@aaronpenne), music by Boreta (@boreta), music system produced by Counterpoint (ctpt.co).

Rituals - Venice

A collection of on-chain, generative cumulonimbus teenagers, ready for their class photo. A fun follow-up to NimBuds (Art Blocks Project #10). 

Created using vanilla javascript, each unique NimTeen features random hair, colors, eyes, mouths, acne, bodies,backdrops and more. Each with its own personality.

NimTeens

How can intent be communicated when ideas are filtered through a pseudorandom number generator? Simply looking at the output does not make it clear whether a stroke is placed on the canvas because of a decision by the artist or by a roll of the dice. The artist’s hand is more present in the process than the result; they choose the algorithms, tune the parameters, and prune the features. As I experimented with my code, I held a particular idea in mind, but I was uncertain how it would finally manifest. I pursued a visual composition that made me feel a certain way, and the visuals I landed on communicate my feeling better than anything I can put into words. Through Curved Air is about the challenge of communication. Regardless of the medium, I can never be certain that the message I intend to send is the message that is received.

Through Curved Air takes inspiration from musical minimalism, where repetition is used to highlight changes in rhythm and harmony. Every output is created by repeatedly copying a single shape. Each copy only has meaning in relation to the other shapes nearby, and that meaning changes with the context around it. Delicate structures form and are subsequently obscured by further layers, and though they may be hidden, they still affect the perception of the final image. Clicking on the canvas will start or stop the looping mode, where the image is recreated in a slightly different way. New facets are exposed as the composition changes yet remains the same. Just as I spend my days trying to share my inner experience through my art, Through Curved Air uses each shape and each loop and each token hash to attempt to create a common feeling between myself and the viewer.

Through Curved Air also takes inspiration from the paintings of Joan Mitchell. I was drawn to her expressive strokes, vibrant colors, and use of negative space, all of which come together to give a more intense feeling of looking at a landscape than just looking at a painting of a landscape. Her energetic marks clearly communicate that there is a human being behind the art. The marks of generative works are often similarly representative of the underlying process, but instead of drawing focus to the artist behind the piece, they draw attention to the algorithm. To convey human emotion in the way I intended, I had to use a subtler algorithm.

The technical tools to convey this emotion are tools I have been consistently developing in my practice. I love making generative art because I can design a system where I understand how all the components work, but they can still come together to produce a result that surprises me. The algorithm behind the compositional variation in my earlier works Coquina and Primordial is one I continued to evolve, and it rests at the heart of Through Curved Air. In fact, I pushed it further than ever, using it to create the individual shapes that form the building block of each output. This emergent variation permeates the work and results in surprising images that more closely resemble paintings than anything I made previously. I believe the potential for surprise is key to conveying emotion through code. When the possibility space of the algorithm grows too large to understand, the mind wanders to the person behind the algorithm. Perhaps the human element is the struggle to understand, or the struggle to be understood.

Art Blocks Presents

Through Curved Air #41

Jacob Gold

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