Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

Paths

Our brains are well adapted to organize visual data in the form of previously recognized patterns. This means we usually have a very hard time just accepting pure abstraction. In the structures found in “Antennas”, this phenomenon not only resides in the eye of the spectator, but it also informs the creative process behind them. In the procedure that gives shape to these layers of simple overlapping geometry, I look to let intuition find ground in the known figurative world, in shapes we recognize and give ease to our cognition, working with code in a playful back and forth in order to find a balance between complexity and meaning.

Antennas

The Swing protocol is a composition generator that is set to generate both bold and elegant compositions. It works on a 3×2 grid where 7 different lines and an empty shape are randomly placed on the grid on 2 layers. The background is divided into 3 rows or 2 columns that can be filled with 9 different colors or stripes with different coefficients. The paper and the margin can be filled with 6 different colors. The protocol is finely tuned so that the interaction between all the elements always delivers a swinging composition. Dutch auction starting at 2Ξ and decreasing every 5 minutes to 0.15Ξ (2 → 1 → 0.75 → 0.5 → 0.4 → 0.3 → 0.25 → 0.22 → 0.2 → 0.18 → 0.15). 25% of sales over 0.25 will be donated to Juste Ici, a non-profit organization in France, focused on making art accessible to everyone.

Swing

Simple rules - complex patterns. An exploration of abstract variation through generative symbols.

Hieroglyphs

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #0

Orr Kislev & Alona Rodeh

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