Exhibit 3291 is an ode to the Bauhaus art and design philosophy and style. The Bauhaus design movement started in the early 20th century by Walter Gropius. Bauhaus art and design is recognized by its unique approach to architecture and design noted especially for a program that synthesizes technology, craftsmanship, and design aesthetics. The Bauhaus style is recognized by it's simplicity, pure lines, and geometric shapes, combined with primary-colored chromatic palettes. 

Exhibit 3291 (E.3291) humbly and with honor continues in this timeless tradition. Each mint embraces “ little ornamentation and focuses on balanced forms and abstract shapes ', Exhibit 3291 takes its cue from the classic 1923 Bauhaus Exhibition poster. Using this composition as a template, E.3291 generates unique pieces of art steeped in the Bauhaus tradition. Each E.3291 has a color scheme and variations on the template, including additional lines, shapes and outlines. 

It is my hope that as a collector you feel part of this historic art and design movement.

To request a print, please visit https://www.cryptobauhaus.com/exhibit-3291

Exhibition: 3291

*the spring begins with the first rainstorm* is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.


*The Genesis Edition*

The first 48 mints shall receive this special edition collection, which includes:

* A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

* A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

* A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the [project website](https://thespringbegins.io/the-genesis-edition) for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version
s - to save the image as a png file

the spring begins with the first rainstorm

This collection is a study of identity in the modern digital era, increasingly dominated by NFT profile pictures. We all construct complex identities to project out into the world, perhaps to distract ourselves from facing the real question that is gnawing at our subconscious. "Who am I?" The moment we feel ourselves begin to grasp an answer it recedes further out of reach leaving us in free fall. The good news is there is no ground.

We pay homage to Ukrainian-born artist Kazimir Malevich, founder Suprematism, an avant garde art movement focused on the fundamentals of geometry and the essence of experience. In the same way that artists from this movement explored the supremacy of pure artistic feeling, we explore the pure essence of identity and self-expression. Can we express an identity using  long form generative art with nothing but math and code? What is considered beautiful and desirable?

Taking this further we then explore the concept of Ego Death. Each piece represents not just the aesthetic combination of geometry and faceless human energies, but can be used as a meditation object that will remind the collector of the illusion of self. We have created a new type of pfp project that doesn’t just represent the egoic desire to fulfill ambitions and own scarce luxury goods, but rather is a true expression of one’s soul on the journey to enlightenment. 

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# Interactivity
This artwork contains one important interaction. The viewer is invited to click on the image, at which point it comes to life allowing the viewer to explore his or her identity by moving the mouse. We liken this to sitting down to meditate and asking the question “who am I?”. As the exploration continues, the viewer realizes that the decorative and outwardly expressed aspects of identity are but an illusion and they begin to dissolve.  Eventually the viewer experiences ego death, arriving at a pure black square illuminated by a sliver of light. The light of pure awareness. The viewer realizes he or she is nothing more, and nothing less, than consciousness itself.

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# Features
The algorithm maps color palette variations and meta-structures of the geometries to different human archetypes. The code playfully generates characters for each collector based on a unique moment in time, and the collector’s unique wallet address, which we hope will establish a personal connection with the piece.

Some of the most rare pieces are the most undecorated, representing the highest version of enlightenment that is hardest to achieve through practice. When you dissolve into the absolute there is no more decoration but only the feeling of oneness.

Ego Death

***Ingress*** is an immersive, interactive virtual space filled with color and lights. A visitor stands in the middle of the synthetic space with nothing to define their orientation or the interior scale. Sight direction might be an initial clue to the positioning, but as it turns out, it would be misleading. Floating, pulsating, and blending lights either close the surroundings or open it to infinity. Even though there are no restrictions in viewing direction, the visitor's position is bonded to the center. 

The feeling might be calming, or disturbing. One might find it a beautiful and peaceful surrounding for contemplation, while others will recognize reminiscences of dark video games. Some spaces might be perceived as energetic music clubs, while others will resemble temples' interiors.

Mobile rendering brings an even more powerful experience. When the device is moved, the visuals change accordingly. A small screen held in the viewer's hand turns into a discrete window allowing for some augmented voyeurism. The urge to see the hidden space makes the visitor move around, reach out and discover the ambiance. It's an opportunity of experiencing the second world, located in an unknown dimension.

Mobile devices are recommended for the most augmented and immersive experience. 
*Use a chromium-based browser for the best experience (e.g. Chrome, Opera). iOS devices need orientation data permission.*

On desktop devices, a fullscreen display is suggested.

***navigation:***
mouse: `LMB + drag, scroll`
keyboard: `arrows, +, -`
mobile: `interactive, pinch`
view presets: `[1]` – still camera, `[2]` – predefined camera movement
save image: `[s]`

Ingress

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #2

Orr Kislev & Alona Rodeh

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