Prismatic explores color, refraction, and interaction. Every invocation is presented as a still image, but responds to keystrokes with transformations. Start with the arrow keys. Please note: This project is not presented with any features or traits. While features were used in the algorithm in order to introduce variation, each invocation of Prismatic is intended to be experienced as a piece of a whole. The project itself is the prism, each mint is a moment captured as we pass through it.

Prismatic

Hashtractors are a collection of generative renderings of various parametric equations commonly know as "strange attractors". These equations are at the heart of chaos theory; a branch of mathematics focused on the study of dynamical systems that are highly sensitive to initial conditions. A selection of 29 different equations has been made for this collection. Hash data is used as their parameters.

Hashtractors

Gravity Grid is heavily inspired by Go, a 2,500 year old board game. The game of Go is played on a 19x19 grid, which is how every Gravity Grid invocation begins. A psychedelic "gameboard" is drawn and pulled apart by gravity, as if slowly orbiting a black hole in space. Each Gravity Grid starts at a different stage of this process. Don't forget to click and hold - you *might* find an additional effect.

Gravity Grid

"Electriz" is a series of works that use digital cloud chambers to observe the traces of unidentified particles. When doing art creation, just like scientists discovering new particles, artists continue to draw interesting ideas from reality and fantasy to collide with each other, trying to find a unique existence at the moment of collision in the process of mixing ideas. The space in the work "Electriz" is divided into parts with different physical characteristics, which affect the movement, rotation, splitting, and annihilation of particles. It is an unpredictable experimental system with unlimited possibilities to explore the intersection of physics, mathematics, and art.

Electriz

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #10

Orr Kislev & Alona Rodeh

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Darien Brito

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