Moses’ Tunnel Series stem from the human mind’s natural impulse to imagine new, possible worlds.

The artist’s starting point is light: when set into certain patterns and angles, the eye perceives it as distances that can lead into thresholds, where time and space doesn't exist, and where contours are absorbed with such an astounding force that their reality gets twisted.

These artworks provide a personal, intimate escape. They free the viewer from the weights of everyday burdens, led by the artist through a door into the extraordinary, into the unknown.


Controls
L or U to lock or unlock steering
Space bar to pause 
Up or down arrow to resume motion

Túnel Dimensional

"Seadragons" is a generative catalogue of imaginary sea creatures from Syngnathidae family. Each seadragon belongs to one of the real Weedy, Leafy or Ribboned species, while the patterns and the small leaf-like appendages are an artistic interpretation. The dragons are rendered in real-time allowing you to watch them slowly drifting in the water or moving your mouse to nudge them slightly.

This project is a continuation of my long term fascination with using code to recreate forms and patterns occurring in nature. By using a range of non-photorealistic rendering techniques I strive to document those explorations as if they were actual sketches, posters or biological illustrations of the encountered specimens. Algorithmic variations of their patterns, sizes, colors, poses, complexity and surrounding seaweed present in each artwork are only a minor drop compared to the diversity observed in natural environments. 

15% of profits will be donated to oceana.org for protecting and restoring the world’s oceans on a global scale. Another 10% will be donated to givewell.org.




Seadragons

Mazinaw is about the timeless struggle to express our humanity and communicate the ineffable. The title derives from Mazinaabikinigan-zaaga'igan, an Algonquin word meaning “picture” or “writing”, alluding to the dual nature of pictographs. 

Inspired by my encounters with neolithic cave paintings in Europe and indigenous pictographs flanking Canadian lakes, Mazinaw hints at etchings, drawings, and anthropomorphic forms. While Mazinaw draws on expressionists from Wassily Kandinsky to Norman Lewis, it takes abstraction one step further: each piece is constructed by the artist indirectly, via a generative code, allowing the emergence of new undreamt-of forms.

The 19 palettes are inspired by the natural world, but their roles are sometimes twisted: cerulean blue strokes appear over an ochre canvas, and green flashes of light hop across a gray expanse. I invite the viewer to spend time with each piece, finding their own order from chaos. Signed fine-art archival inkjet prints will be available for owners at a modest cost.

Note: Mazinaw is best viewed in large format (full screen), or printed. Each piece has infinitely fine details, some of which will only be visible in print. Mazinaw renders seamlessly in any aspect ratio; adjust the window size and shape as desired, click on the frame, and type 'f'. 

Controls:

 s   -- save as png
 spacebar  -- pause/unpause
  f   -- toggle square / fit-to-screen aspect ratio
   1-6  -- set pixel density (default=2 on retina displays)
   +/-  -- increase/decrease pixel density
   n -- enable/disable night mode
   p -- enable/disable pastel mode

Mazinaw

You yearn to rescue the night, may the mirage never end. Through the haze, you brush aside the memory, a silhouette is all that remains...

Silhouette

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #15

Orr Kislev & Alona Rodeh

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