a floating spawn has appeared ... this site hosts a garden of spawns ... each generated from a unique seed that determines varying conditions for how they're made.

spawn

Nine factions populate the virtual space. While Utopians develop the main net, the others work on their nodes building an economy system over the secondary chains.
Each station is focusing on one activity but there’s some dangers out there: Scammers and Hackers trying to survive doing obscure things.
There are also some drafts and blueprints of stations waiting for a faction to buy and build them. Who knows what its final purpose will be.

This project plays with procedural architectonic structures. I’m using a sci-fi style to present a virtual world populated by space station-like structures.

Use Mouse to Control the Camera.
Click: Stop Rotation.
Double Click: Reset Auto Rotation.
Press Any Key to Change Background Mode. Space -> Stripped -> Fog -> Transparent

Stations

The 1980's and 1990's as an iterative dream, computer-aided RAD designs. Essentially, an expanded iterative Memphis/Neo-Memphis style project meant to emulate the free-flowing and fun spirit of the movement in tight compositions that surprise with each combination and position generation.

autoRAD

Zupermat is the infinite documentary on the life of pseudo-random rectangular cuboids. Sometimes a deep dive into a particular side of their construction, other times a broad portrait of their organization as gangs, mob and anarcho-secret societies. 

The smooth and transient aspects of Zupermat will let the collector cohabitate with the piece while softly populating his peripheral vision. A brief glance, while immersed in reflection, should provide the reassuring motion to dive deeper into thought - or emerge with a newfound sense of direction.

A full description of the features is available on the [Zupermat page](https://0xphiiil.art/zupermat).

[spacebar] pause and reflect

Zupermat

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #19

Orr Kislev & Alona Rodeh

More in Art Blocks Presents

spawn

john provencher

Stations

Fernando Jerez

autoRAD

sgt_slaughtermelon & Tartaria Archivist

Zupermat

0xphiiil

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Company

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