Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Jenim

As the first on chain generative planets, I present my Galaxiss project. Each planet uses several layers of complex noises to generate nearly infinite variations of terrain, shapes, and biomes. Check out the lost airplane that has been signaled flying around and if you're lucky you might even catch another surprise chopper! Collect planets and build the Galaxiss of your dream!

p/h: attach to airplane/chopper - n: toggle night mode (if available) - digit keys left to right on the keyboard (1, 2, 3, [...], 9, 0): change resolution (1 being the minimum and 0 the maximum) - space bar: pause/unpause the world - pinch to zoom (on smartphones) - triple fingers touch: switch between vehicles (on smartphones)

Galaxiss

Contrast Agent is a collaboration between artist Tim Richardson and creative technologist Sean Zellmer. The title refers to chemical agents used in CT scans that make soft tissue visible in x-ray imaging. We were inspired by the ways this process reveals our interior physiology, making the connection between our exterior and interior bodies transparent. 

Drawing on CT imaging, we explored fractal geometry as a visualization of human physiology. The geometry is constructed with cylindrical orbit traps that possess an inherent self-similarity. Much like the vascular system of the body, the orbit traps have a nested symmetric structure with finer details mirroring the overall structure. 

This symmetric structure became the core motif for the edition and is embodied as an infinite visual loop. Each unique artwork is bound to this temporal cycle, creating an animated ‘liquid physiology’ emblematic of the shifting realities we engage with on a daily basis.

ABOUT THE ARTISTS

Artist - Tim Richardson 
https://www.instagram.com/timrichardsontv
Richardson's work has been exhibited internationally and is in the Collections of Deutsche Bank and Sir Elton John. Three books have been published on his work, most recently the monograph Spiritual Machine by Prestel UK.

Creative Technologist - Sean Zellmer
https://www.instagram.com/lejeunerenard/
Sean Zellmer has made a piece everyday for 5+ years focusing on shaders. His work has been exhibited in Times Square as part of Decode Experiential and in São Paulo for FILE Festival 2018. He has collaborated with brands such as Lush and Vans.

Contrast Agent

Letters to My Future Self is a series looking at communication through time. There is so much I want to tell my future self that words can't express: from the fear and anger I've felt in lockdown isolation to the joy in finding new friends and community. Each piece in this series becomes a small part of a much bigger story -- letters sent into the future expressing our collective hopes, fears, sadness, and love. A moment in time captured in perpetuity on the blockchain for future generations to find and reflect on. 25% of proceeds will support future artists through art education grants via Donors Choose.

Letters to My Future Self

~ *'For you are dust, and to dust, you shall return'* ~ Genesis 3:19

This specific passage of the Genesis, speaks about how the certainty of death should serve us as a reminder to remain humble in life. Within my agnostic interpretation, it is more of a call for a sustainable, ethical and mindful way of life.

3:19 is a chronological conjecture, a reflective proposition about the future, and a speculative evaluation of our present. Rocks symbolize the unavoidable progress of time, like dust clusters containers to millennia of evolution. Despite we think of them as immutable objects, rocks are time-based generative organisms. Depicting eras of existence through colorful layers assembled in complex and captivating patterns serves as a 'live' reminder that, no matter how much we avoid thinking of the future, it will, eventually, catch up with us.

Despite being capable of generating thousands of combinations via color and shape, only 19 iterations will ever see the day of light, remaining the rest voided in the obliviousness of time. Since after all, let's not forget, we are all dust, and to dust, we will return.

&rarr; Explore by 'dragging' the rock around.
&rarr; Navigate time using the keyboard's 'left' and 'right' arrows.

Art Blocks Presents

Jenim #21

Orr Kislev & Alona Rodeh

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Contrast Agent

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