Inspired by traditional Chinese architecture and Chinese painting, this project uses algorithms to generate window lattices with different patterns and blossoms and trees with different postures. Together with the possible rain and snow scenes, they constitute a corner with oriental aesthetic charm. These scenes are dynamic, such as slowly moving window frames, tree-growing, raining. We can imagine being indoors, watching the shaky tree shadow outside the window, or looking into the window from the same perspective as the current picture. Maybe we are looking into memories, maybe we are looking into hopes, anyone can write their own poems.

Through the Window

Synesthesia is the audiovisual creation of electronic dance musician, PLS&TY.  PLS&TY is burgeoning into the electronic dance music scene with his unique sound: languid bass, captivating vocals and enough upbeat melodies to make anybody feel good. His music has amassed over 100 million listens across streaming platforms, and has been placed in nationally airing television commercials, including a Hershey's Chocolate campaign which has been viewed over 1 BILLION times. Synesthesia visually proffers a mandala-like effect, in sequence with blissful audio notes & tones over fluctuating scales & octaves, generated entirely at random.  

Secret tip: Scale the artwork to become larger or smaller to affect the visual output. 

Synesthesia

Dragons have been present in myths and legends across many different cultures, and have captured people's imagination for centuries.

There are different shapes and variations of these mythological creatures, with different names. 

Dragons typically have four legs and wings, Wyverns have only two legs and wings, and Drakes have no wings and four legs.  undead wyverns explores the procedural generation of skeletal versions of these different kinds of creatures.

undead wyverns

***Vahria*** is an inquiry into the breaking points between two and three dimensions. Using spheres I attempt to create a tension between flatness and depth. Regular bodies become distorted blobs and circles. Occasionally, triangles are revealed, which are fundamental units in computer graphics.

The project is also a playful comment on constructivism and its dominance as a visual style in current generative art NFTs. In Vahria, I take the deconstructivist approach, favouring fragmented volumes, asymmetries and skewness, over linear forms, straight lines and right angles.

It is strongly encouraged to see the pieces on **full screen**. Otherwise, details of the renders are missed. You can export high-resolution images of the mints to disk by clicking on the artwork and pressing one of the following keys:

[1] : Full HD resolution (1440x1920)
[2]: 4K resolution (2880x3840)
[3]: 6k Resolution (4320x5760)

Vahria

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #33

Orr Kislev & Alona Rodeh

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