What lies between everything else? A reflexion on scale, shapes, the infinitely small and the infinitely big.

Void

While rotating and morphing, an undercover shape blends in with criss-crossing layers of color blocks.

WARNING: Contains flashing imagery.

Interactive Controls: 
Use the arrow keys (or WASD) to move the undercover shape around the screen
Press F to toggle on/off the flashing color blocks
Press R to toggle on/off the rotation of the shape
Press M to toggle on/off the morphing of the shape
Press C to center the shape on the canvas
Press B to return the shape to its beginning location
Press spacebar to toggle on/off all animations

Undercover

OCTO GARDEN produces tightly wrapped spiral forms resembling moss or lichen. Occasionally, those structures will unfurl, revealing a beautiful Octopus. Some appear highly ordered. But others are more unruly.

Octo Garden

Primitive shapes generate complex and chaotic snapshots of a larger form, still images with a sense of rapid motion, going through repetitive sequencing of parametrized mathematical functions, rotations and placement of objects. Augmented Sequence is a project by Joonas Toivonen, building upon work on audiovisual installations and electronic music performances. The parameters for sequence attributes, shapes, lighting, materials and colors are driven by the hash of the minting transaction, producing unique and surprising results. 


Augmented Sequence

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #59

Orr Kislev & Alona Rodeh

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