"Foliage" is a moment of pause. The project is born from the futile attempt to catch a breath of wind, the one that no one sees but everyone notices when the leaves hang trembling. Inspired by long days near the Rio de la Plata studying the wind, this series of 250 foliage is an exploration of how angles and colors can generate the illusion of movement and harmony. "Foliage" is inspired on wind data visualizations where the use of angles and vectors speak of a trajectory. Winds, like data, travel through our world leaving a trace;  this time hosted immutably on the Ethereum Blockchain.

Foliage

Generative urban abstraction inspired by my early career in Chicago. 50% of minting proceeds will be directed to Habitat for Humanity.

Neighborhood

Event Horizon Sunsets are a class of art works generated through an algorithm which uses Perlin noise to modulate the color, shape, and convexity of a continuous surface. The sunsets are generated instantly in a practical infinity of combinations, and it is possible to write a machine learning classifier that selects the most beautiful ones. Event Horizon Sunset (Series C) follows two previous series of Sunsets, with 5 and 9 works respectively. Series C is special because some of the randomly generated Sunsets have a "close proximity".

Event Horizon Sunset (Series C)

**Gels** is a science-inspired generative piece. Our algorithm simulates *gel electrophoresis*, a powerful experimental method in molecular biology used daily by thousands of scientists worldwide. In the lab, scientists "run a gel" to separate and visualize molecules such as DNA, RNA, and proteins. These molecules appear as patterns of bands when photographed, and those patterns can be used to interpret the results of experiments. 

The DNA band patterns in this work derive from combinations of a simulated experimental data and real-world data, including DNA sequences that encode several variants of the SARS-CoV-2 spike protein, and the corresponding mRNA vaccines. Our algorithm first generates plausible sample tubes that typically contain one or more DNA fragments. Then, each sample is distributed and "run" on a simulated gel to create the characteristic band patterns that might be observed on real gels.

Our simulations also take into account human error — mistakes are common in the lab, especially for novice researchers, but they can also lead to visually interesting results. For example, uneven salt concentrations or applying excess voltage can cause warping effects.

Finally, we aim to leverage proceeds of this project to support future scientific research! We invite interested collectors to follow along with our future work.

Gels

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #61

Orr Kislev & Alona Rodeh

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