“Our lives are patterns of the fabric produced by the loom of time and space” (Shohaku Okumura). Looms and computers share a history of entanglement, weaving together patterns of binary code. Warp is a work of generative textiles. Modulations of form are woven to create intricate structures, stretching the metaphor of a loom. 25% of artist’s proceeds will be donated to Alianza Arkana, a grassroots alliance committed to the protection and well-being of the Peruvian Amazon and the Shipibo-Konibo peoples.

Warp

Flowing in life, overwhelmed by colors.
Staying afloat, one step at a time, in a sea of details.
When dancing in a storm of changes, pause for a second.
Too much of a good thing, is still too much.
Take a step back, breath, and thank the universe.

Saturazione

Hyper Drive is based on the mathematics of recursion. Scale symmetry is used to create patterns that repeat at ever-smaller intervals, creating the illusion of infinite depth and complexity.

The rule for the recursive loop is incredibly simple. A box is drawn, then a snapshot of the full canvas is resized to cover the boundary. As this process is repeated, small variations in position create endless fractals.

This project is an experimental cross-chain collection, with a fully-generative A-side published via Art Blocks on Ethereum and an AI-based image composition B-side published via fxhash on Tezos. The artwork symbolizes the great divides we must cross, the connections we make along the way, and the disconnections we feel. We move through the world as the world moves through us.

Hyper Drive: A-Side

This series delves into a glitch style technique called pixel sorting, which is generally known to be used as a post-processing method in photography. Pixel sorting is a procedure that isolates segments of pixels and sorts their positions based on any number of criteria (i.e. luminosity, hue, saturation). 

Assorted Positivity is a generative approach to making pixel sorting art without any photographic base. The algorithm uses several types of noise to generate an initial design, each one unique to the token and specifically conducive to pixel-sorting. The sorting displaces pixels in various directions based on their grayscale value; and hues determine how the sorting ends. Sometimes the sorting lends itself to a sort of drip look and other times it presents itself as depth and shading.

This project was initially influenced by my desire to sort past the ubiquitous negativity online and focus on the positivity, generosity, and genuine thoughtfulness that I have witnessed around this genart space--with collectors, artists, and people who simply appreciate the community.

Integrated into each piece is an uplifting adjective that is visible, yet blended into the art. At a glance, the viewer may not notice the steganographic message that is conveyed by an international visual method of telegraphing words. Each word is one that I imagine being used to describe people in the community, their actions, artists, and/or their work.

Every output brings me joy, and is a reminder to treat others with kindness and positivity.

Watch as the pixels sort themselves out. 

Rendering is best viewed in Chrome on a desktop with a high end GPU.

A portion of the proceeds will go toward the international Make-A-Wish Foundation in the hopes of bringing some joy to critically ill children around the globe.

Assorted Positivity

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #98

Orr Kislev & Alona Rodeh

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Saturazione

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Hyper Drive: A-Side

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Assorted Positivity

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