Talking Blocks listens to the Blockchain hash # and creates a unique artwork with a signature stamped into the image that is a direct message from the blockchain. This provides the collector an assurance of authenticity while leveraging the blockchain to generate a unique message, a retina print of the blockchain hash #. This is an instantly recognizable visual signature. You can interact with the artwork to modulate a sonic reaction of oscillating circular waves. The permanent immutability of the underlying token hash # is combined with a non-repeatable signature from a person interacting with the artwork, all in real-time. In other words, you can have a conversation with the Blockchain.

Talking Blocks

Karma, the original algorithm of Indian thought. Action, inaction, randomness, will -- all are ground in its maw to determine the manifest shape of the next moment. The past makes the present, and shall do so in the future.

But what one sees is the eternal present, and from there, the past is only the fading imprint on memory, an imprint that leaves us with the perception of pattern, as gratifying as it is mystical. The past's fading, thus, is a necessity.

Interaction:
Click/Hold anywhere to start drawing. Press the 'down arrow' to clear the canvas.

KARMA

Pixel Glass

This system represents the love I feel for generative art. It also represents the effort of remembering that the simplest methods produce the most alluring results. Generative programs can give you art if that's what you look for, but they can also give you worlds, and questions about the ones that live in them.

An excerpt from a sailor that saw one of these worlds:

"I looked across the sea and glimpsed a city. An impossible place that just as quickly disappeared, as if it had been plucked from another dimension and placed briefly on the horizon to taunt me. In an instant I knew, or felt, three absolute truths, given to me by whatever force brought the city into sight and took it again. The first was that I could never reach it, and should I dedicate the rest of my life to contesting that fact, I would only ever find the water and land of my own world. The second was that in the city there lived someone I could love for the rest of my days. The third was that this someone had glimpsed out their window a ship unnatural to them, and felt the same three truths as I."

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I feel unmeasurable appreciation to anyone that supports this project. Charitable donations will be made to St. Jude Children's Research Hospital thanks to you.

Each layer is built organically square by square which are then deformed at their corners. There are chances for countless variations through tighter density, symmetry, deformation strength, and color. There is even a chance that the inhabitants will architect the impossible and reach for another canvas, breaking free of their own border.

Masonry

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #99

Orr Kislev & Alona Rodeh

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