INTRODUCTION

Voyager 1 and 2 have been launched in 1977. They are the farthest man crafted objects from Earth. It will take tens to hundreds thousands years for them to reach other stars and planetary systems despite a velocity of 17km/s... 
The on-board camera, mysteriously, sends back images of the remote planets and their moons...

Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas (Do not go gentle into that good night)

ARTWORK DESCRIPTION

The artwork represents a planet and its moons. There is an important variety of planet/moons types, different perspectives (far or near the planet and moons), different space environments (stars, Milky Way, star clusters,  comet, eclipse, Einstein cross and ring, Magellanic Clouds...). A very rare Gravitational Wave affecting space properties can occur. Usually Monochromatic, there is a variation with the addition of one color. In "live view" use the interaction possibilities to explore a given planetary system...

TECHNICAL DETAILS

In the same way photons hit the CCD camera, tiny squares hit the canvas.
The algorithm is minimalist : pick a random position in the canvas and decide if a monochromatic tiny square has to be drawn or not (rarely, squares can be drawn in 2 colors). The light parts are drawn only through the absence of drawing. The whole complexity resides in the decision to draw or not to draw. Mathematical functions are underneath each decision, like space and time are underneath all of our world. 


INTERACTIONS

You can interact with keyboard commands or through URL parameters.
- press S : to save the current image in png
- press 2, 3... 9 (URL, add DP=2) : change resolution. Increase the value step by step. Can be very long to draw, but it's worth it for printing. Very High Resolution can be achieved. The file is saved automatically when finished.
- press L (URL, add liveMode=true) : to discover different views of your planetary system (images will be drawn one after the other, with the same parameters for the main planet and the space environment).
- press F (URL, add fitToScreen=true) : to adapt the artwork to any screen size (artwork is changed but parameters remain the same)
- press M (URL, add monoChromatic=true) : to force the artwork to be monochromatic
- press G (URL, add GW=false) : to remove the gravitational wave effect
- URL, add offset=<Number>, to offset the image production (same planet parameters and space environment)
- URL, add grainy=true, to change the size of the grain (useful for displays to speed up the creation process)

URL Parameters are added to the end of a URL after a ‘?’ symbol, and multiple parameters can be included when separated by the ‘&’ symbol.
You can combine "?liveMode=true&fitToScreen=true&grainy=true" in the URL for display purpose (TV, Art show...). 
Combining liveMode and DP for resolution allows you to save all the images produced.


EXTERNAL LICENSE

Voyager is built with p5js and a simplex noise library under MIT license: simplex-noise.js.


DISRUPTED STAR

I am a French astrophysicist (PhD) working in high energy astrophysics.
My artist name is related to an astrophysical event in which a star, a pretty common object in the Universe,  comes too close to a Super Massive Black Hole (SMBH), is torn apart and finally tidally disrupted...
The Generative Art plays the role of the SMBH that has changed my life in many ways in the past years...

Voyager

Dream Engine is an ethereal art project that allows us to see, hear and touch the heart of the blockchain by exploring its sleeping DNA. It generates an abstraction of sound and vision, enabling  us to 
listen to the blockchain while watching it dream. Dream Engine enhances the unique and subtle differences in each invocation to be as distinct as a retina scan. 
Borrowing an adjacency matrix from graph theory, we locate and connect neighboring nodes while sequencing an evolving soundtrack from each hash code letter. These are color coded and distinct to every composition. 
This piece is not just "on chain", it is "chain native" and exists so the code can render an unrepeatable audio-visual hash signature from the blocks DNA.
Dream Engine also uses psycho acoustic neural frequencies. These resonate in a hypnotic therapeutic musical monolith, with crests and lulls designed to interplay within our own space of creation, meditation ​and dreams. 
Each dream piece is reproducibly generated from its immutable hash. But you can mutate your own composition and use it as an instrument for artistic expression. Click play to engage music. 
Use your mouse, speech or keys to remix. Return clears canvas to create your own dream composition. When paired with sister project, Talking Blocks, 
they will interact creating an audio-visual feedback loop. Dream Engine lives in a dimension where ideas are born. “Do Androids Dream of Electric Sheep?” today they do.
For instructions to create in Live Mode and more, visit our website https://www.doreme.xyz


Dream Engine

“Our lives are patterns of the fabric produced by the loom of time and space” (Shohaku Okumura). Looms and computers share a history of entanglement, weaving together patterns of binary code. Warp is a work of generative textiles. Modulations of form are woven to create intricate structures, stretching the metaphor of a loom. 25% of artist’s proceeds will be donated to Alianza Arkana, a grassroots alliance committed to the protection and well-being of the Peruvian Amazon and the Shipibo-Konibo peoples.

Warp

“Squares” utilizes the shape of a square as a unit of construction, combining and overlapping them at various scales to create interplays of color, structure, and atmosphere. The overall effect is something along the lines of Bauhaus meets Blade Runner, as complex rectilinear forms float untethered through fields of light and texture.

Squares

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #102

Orr Kislev & Alona Rodeh

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