Circles move in, circles move out, some light, some dark. 🌹 The work is responsive, it will adapt to any screen size and resolution.

Non Either

An arcane schematic encased within a rotating vortex. Token data determines palette, vortex attributes, and the arrangement of all lines and shapes.

Wave Schematics

"Return" is a meditation on returning inward, cyclical change, and the beauty of iteration. The composition of each piece slowly loops, providing a new experience for the viewer over time. Created by Aaron Penne

Return

Organic forms gather and intersect to create distinct arrangements. Each one is a captured moment, like a plankton on a microscope slide. Coquina explores the balance between stochasticity and structure in what makes a shape.

Price: 0.1Ξ

25% of primary proceeds will be donated to a donor-advised fund on Endaoment.org, with the first intended grant recipient being the National Women's Law Center.

Coquina

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #108

Orr Kislev & Alona Rodeh

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