**Attention! Extremely Experimental Project!**

This project is the quintessential generative art. Each instance of this project is an infinite deterministic ratio and resolution agnostic art generator. _Every click = new art_. The main format is a 3x4 poster. But by pressing "f," you can stretch the art to the whole screen (any screen). All elements of this art are rectangles, and the main number of this project is 4. You can use the generated images commercially (read the license).
  
**Controls:**

- "f" = fullscreen
- "s" = save art
 - "t" = 30-sec interval infinite slideshow
- "u" = 3-sec interval slideshow + save (а convenient way to make images for the gallery)
- "1 - 9" = change pixel density.   (Changing the ratio and pixel density resets the art counter to 0).

444(4)

Revisiting one of my first algorithms on the occasion of the Tribute to Herbert W. Franke. All artist proceeds from minting will be directed to *art meet science – Foundation Herbert W. Franke* to support the preservation of Herbert's legacy with ZKM Karlsruhe and technology education through RÜTGERS Foundation.

Rectangles (for Herbert)

Gazettes is a generative art project by the Redlioneye Gazette team and Pxlq. The project pays tribute to print media and highlights classic formatting such as paragraph layouts, headings, variously styled texts, and images. We have mixed together our publication concept with classical journalism and generative art to deliver exciting, surprising, unique, and visually stunning
random creations on chain and forever.

Gazettes

ÂPEX ~ is a generative landscape art project responding to the conditions of the Anthropocene, where the lines between what is possible and what is only imagined are constantly shifting.  Simplified circles give way to hyperreal spaces. It is unclear if at any point they resemble a landscape that one could actually inhabit.

At what point do abstract shapes start to resemble believable environments? Each viewer may experience this work differently, depending on where they draw the line between realism and abstraction, natural form, reality and fantasy.

While landscape art is traditionally understood to represent natural forms, it has become increasingly difficult to distinguish between the natural and manufactured. When the code runs its course and a static picture emerges, a thin barrier seems to be crossed.

The work tests out the limits between reality and hyperrealism, between abstraction and surrealism, blurring distinctions between them.

Created by Ori Ben Shabat & Ronen Tanchum

APEX

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Art Blocks Presents

Jenim #115

Orr Kislev & Alona Rodeh

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444(4)

Shvembldr

Rectangles (for Herbert)

Jeff Davis

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Redlioneye Gazette

APEX

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