"Foliage" is a moment of pause. The project is born from the futile attempt to catch a breath of wind, the one that no one sees but everyone notices when the leaves hang trembling. Inspired by long days near the Rio de la Plata studying the wind, this series of 250 foliage is an exploration of how angles and colors can generate the illusion of movement and harmony. "Foliage" is inspired on wind data visualizations where the use of angles and vectors speak of a trajectory. Winds, like data, travel through our world leaving a trace;  this time hosted immutably on the Ethereum Blockchain.

Foliage

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zoologic (zō- ə- ˈlä- jik) - relating to the properties and vital phenomena exhibited by an animal, animal type, or group.
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Why do animals evolve into different species? Why do they evolve to look or behave one way, and not another? Why do some animals have a few children, while others have many? What makes some animals better at surviving than others?

Zoologic is an exploration of these questions, and of forces that drive the evolution of life. It's a cellular automaton where small creatures ("crobes") compete for survival in a shared space, as their traits and reproductive strategies drift over time. Population dynamics and r/K selection theory play a role in their gradual evolution into new forms.

Life for the bacteria-like crobes is a simple affair. Each explores their world — a hexagonal grid  — according to their own pre-coded movement strategy. Each step requires a little bit of “energy,” the fuel that powers movement. Running out of energy means a crobe can’t move, but more energy can be obtained by consuming the only available food source — other crobes! Crobes can detect their neighbors within a couple of spaces, identify them as predators or prey, and react according to their needs.

Crobes consume each other for resources, then use those resources to reproduce -- but not perfectly. Each reproduction introduces new mutations, causing traits to change and new behaviors and appearances to emerge! The crobes’ neural nets learn over time, and only the fittest survive, making Zoologic an example of a neuroevolutionary algorithm. As neural nets are trained, they can be saved, loaded, and battled, shared with others. Train your crobes locally and compete with friends! Each output includes a fully on-chain, pre-trained neural net that has been generatively modified at the time of mint to give each set of crobes their own unique personality.

Key controls: [A] Fullscreen (press a second time for edge-to-edge animation), [H] Help menu, [I] AI menu, [Space] change color palette, [D] Toggle Dark mode, [F+#] Adjust framerate, [X+#/arrows] Adjust detail level, [N] restart animation with different random seed. Please see Help menu for a more comprehensive explanation of available controls and settings, including some intended for improved presentation for longer periods of time.

Zoologic

Woop Woop! Run for your life! Kai-Gen are attacking!
Fresh from the underground and ready to smash your city, these mutant beasties come unique and fired up. No polygons or texture maps here, just sweet ray-marching magic living right on-chain. When you're ready, press the 2 key on your keyboard to bring them to life. But be forewarned, animated Kai-Gen are hungry AF and will eat old GPUs like jellybeans. A modern-day PC/Mac desktop is highly recommended, then hit that 2 key, if you think you can handle it...
Key 1 = Still, Key 2 = Animated. Let's GOOOOO!

Kai-Gen

Today the base orbiter has started to move. Oscillating harvesters had the ability to generate an enormous amount of self-sustaining energy. They seem to establish parallel communication in resonance with cosmic frequencies but I find myself unable to decode the signal into anything meaningful.

R3sonance

An audiovisual series that explores the paradoxical nature of our over-connected world.

We are objectively moving more and more into the digital world. Increasingly connected through technology, and while it’s undoubtedly clear there are a lot of advantages to our interconnected world, it also seems to feel more dystopian. Soon we may no longer be able to realize what is objectively real. As if the more connected we become; the deeper we explore the possibilities of technology; the further we move away from the lives right in front of us. When was the last time you took time to observe a leaf falling from a tree, carried on the wind? Watched a beautiful sunray coming through a window? Listened to a gentle piano tune for a while? It feels like the whole world is collectively forgetting to enjoy moments like these. (Dis)connected tries to emulate the sentiment of those moments, while contrasting it at the same time with a darker, nostalgic undertone.

(Dis)connected is a series that invites you to take your time to really appreciate each piece. The visual artwork has soft swaying analog cables on a breeze,  with a play on light in the background, as if days are going by. Cables, for decades now have been used to connect appliances, transmitting either electricity or data. The cables in (Dis)connected are clearly connected to something and leading somewhere, but we do not know to what or where. 

The long form generative auditory work complements the soft swaying of the cables. At times the generated soundtrack is soothing, nearly meditative, at other times it becomes slightly off-tune and the sine wave changes. Forcing the viewer into the disconnected sentiment. The entire piece purposely glitches at times, disturbing both the auditory and visual state. Asking you to take a look at your own reality both in the digital and the physical realm.

For color palettes works from both traditional and crypto-native artists resembling the sentiment of (Dis)connected were incorporated. You may recognize palettes utilized by Van Gogh, Rothko, Picasso, XCopy, Grant Yun and more. There are also a handful of custom palettes that aren't related to other artists.

One of the artist inspirations for the work was Ryan D. Anderson, who creates incredible moody animations often accompanied by piano music. Ryan really has mastered the duality of soothing animation and music in a usually quite dystopian or nostalgic world.

On a technical level, where (Dis)connected is really breaking new ground is in the melodies. Most generative art series working with sound use none or fairly simple music theory. The melodies in (Dis)connected are created by first selecting one of 60 different scales (a scale is any set of musical notes ordered by fundamental frequency or pitch) and combining them with one of 16 different chord progressions (a chord progression is a succession of chords). Every beat, the chord is matched to the scale and during the beat musical notes that fit that chord can be played as well. The number of notes varies per beat, per melody and per piece. For each piece there is a generative main melody which is repeated throughout the piece and between each main melody a new custom melody is generated. In essence creating a musical piece that can play into infinity, together with the animation, and will continuously sound slightly different. It's also worth noting that the entire work is coded in vanilla JavaScript, meaning no external libraries were used.

Most browsers don't support the auto-playing of sound. Once your piece has loaded in tap, click or press any key to start your (Dis)connected piece. As the animation can be quite heavy there is an option to set a "hq" parameter in your URL (you do this by adding "index.html?hq=false" at the end of your live URL), especially on mobile or high DPR screens (e.g.: retina screens), it is recommended setting hq to false.

Art Blocks Presents

(Dis)connected #20

Tibout Shaik

More in Art Blocks Presents

Foliage

Falko

Zoologic

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Kai-Gen

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R3sonance

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