***Crypt***
Crypt is a labyrinth of sound, image, data, and code. It is an enigma. Once solved, it is also a gateway.

Crypt is a multilayered piece of generative art, one that unfolds into something else, then unfolds again. It contains artworks within artworks, found by puzzles inside other puzzles. One leading to another. At the center is a gateway. The gateway opens another world. That world is an Alternate Reality Game filled with cryptic histories, untold stories, and physical treasures hidden all over the world. 

To begin, some hints. The solution to the first puzzle is a three-part key. It leads to another layer. Here is a room of sorts. An escape room. Viewable from three angles. In the room are eight code-words. They lead to the way out. Collaboration is essential.

At the bottom of Crypt is another key. It unlocks a world. It unlocks Cyclops.

To confirm your solution to crypt and claim your reward please visit: https://cyclopsgroup.art

***Cyclops***

Cyclops is a networked performance, collaborative narrative, and alternate-reality-game designed to be played by groups of people working together across the world. Set in the late 1960s and early 1970s, the game begins with a series of audio tracks. Some tracks are musical compositions, others are filled with odd voices reading letters and counting numbers, others still resemble nothing more than noise and static.
 
Each track is, in fact, a puzzle of increasing complexity. As players work together to solve them, a narrative about early research into psychological operations, mind-control experiments, and an alternative history of the internet age begins to emerge. Over the course of the game, players come across - and are invited to collect - a series of artworks specifically created for Cyclops players. To find these artworks, players must identify and follow up on clues provided within the game. Cyclops is a world within a world.

Crypt

"Electriz" is a series of works that use digital cloud chambers to observe the traces of unidentified particles. When doing art creation, just like scientists discovering new particles, artists continue to draw interesting ideas from reality and fantasy to collide with each other, trying to find a unique existence at the moment of collision in the process of mixing ideas. The space in the work "Electriz" is divided into parts with different physical characteristics, which affect the movement, rotation, splitting, and annihilation of particles. It is an unpredictable experimental system with unlimited possibilities to explore the intersection of physics, mathematics, and art.

Electriz

Beautiful bouquets of generative flowers, with fascinating diversity in numbers, shapes and colour combinations. Each one has its own personality, its own character, and is always stunning and surprising, as you can expect with flowers in their natural form.

Flowers

An unknown illness has struck the world and is spreading rapidly. Humanity enters quarantine while the world's greatest scientists get to work on finding a cure. As you look upon samples through the microscope glass, you can't help but wonder what horrors you're about to witness. What is it? Where did it come from? How far has it progressed? Do we even have a chance?

Quarantine

### Good job, Computer. Do that some more.

To what degree can we teach a computer to make a painting? One that resembles creation from the imperfect hand of a human. Here, the computer attempts to hide itself from the viewer in the details, such as inconsistent borders or uneven layers of paint. Intentional flaws that a human might make unintentionally.
Good, Computer is an exploration of not only how small cumulative inaccuracies create complete images, but also the forms and harmonies that those images evoke.

Consider the following:

***A set of 4 colors is to be considered -- singly as "actors," together as "cast." They are to be presented in 4 different arrangements -- as "performances."***
***Although they remain unchanged in hue and light, in "character", and appear in an unchanging outer frame, the "stage", they are to produce 4 different "scenes" or "plays," each to be so different that one and the same set of colors will be seen as 4 different sets, presented by 4 different casts.***
***And all this can be achieved mainly through changes in quantity which result in shifts of dominance, of recurrence, and consequently of placement.***
***The essential question: which group of colors is ready to lose its identity as a cast?*** 
***-- Josef Albers***

We can answer this question simply by asking ourselves why we're drawn to some arrangements more than others. In doing so, we consider not just tone, but also quantity, intensity and weight in order to form new relationships between the colours. And as such the viewer gives each image their own subjective personality.

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Art Blocks Presents

Crypt #12

The Cyclops Group

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