Enchiridion is inspired by the Enchiridion Physicae Restitutae by Jean D'Espagnet which rejected the idea of the empyrean, claiming that all natural things exist in unity. This is represented through geometric forms which show structure, unity, and causation vs. the amorphous forms of Empyrean.

Enchiridion

[To learn more about the partnership between Motus and Wolffia, we invite you to watch the ilumz video](https://owenmcateer.com/ilumz/)

Collaborators working in two opposing mediums create a unique expression of art that neither could create alone. Merging IRL artistic techniques with algorithmic generative coding. Holding focus on creations that are varied, organic and feature human characteristics of spontaneous art work.

In the era of the machine, harmony and humanity shine through ilumz. This is rooted in the artists’ contrasting disciplines, techniques and styles which meld to create a cohesive choreography of abstract, organic, generative art.

The creative spark was a chance meeting of opposites. An abstract multi media artist (Wolffia) with an intuitive, freeform, joyful flair and a keen eye for bold shapes, vibrant colours and varied textures. And a creative coder (Motus) who uses algorithms and mathematics to explore the hidden beauty within numbers. 

Their ilumz brainchild is an algorithm with a human touch and the intelligence to not just replicate painted works but to redraw, reconfigure and recreate. Composition is at the core, so ilumz dynamically builds interaction and divergence into a symphony of shape. This fine balance creates a uniquely natural feel that isn’t overpowered by the algorithm for a distinct aesthetic – call it calm wonderment.

Ilumz is a journey from contrast to cohesion that blurs the boundary between physical art and digital craft. It fuses geometry with incidental imperfections of hand-drawn elements. And it’s full circle as Wolffia and Motus continue to catalyse (and challenge) each other’s thinking. You can see the humanity and the sense of partnership in every ilumz mint.

*“Chance, mistakes, serendipity... from abstract to algorithm we wanted our hybrid physical-digital project to sing of human touch.”*
*Wolffia Inc.*

*“Working out the rules for how shapes interact, collide and overlap to create unpredictable complexity opens so many opportunities to explore.”*
*Motus*

ilumz

ÂPEX ~ is a generative landscape art project responding to the conditions of the Anthropocene, where the lines between what is possible and what is only imagined are constantly shifting.  Simplified circles give way to hyperreal spaces. It is unclear if at any point they resemble a landscape that one could actually inhabit.

At what point do abstract shapes start to resemble believable environments? Each viewer may experience this work differently, depending on where they draw the line between realism and abstraction, natural form, reality and fantasy.

While landscape art is traditionally understood to represent natural forms, it has become increasingly difficult to distinguish between the natural and manufactured. When the code runs its course and a static picture emerges, a thin barrier seems to be crossed.

The work tests out the limits between reality and hyperrealism, between abstraction and surrealism, blurring distinctions between them.

Created by Ori Ben Shabat & Ronen Tanchum

APEX

Portal

An ode to Roy Lichtenstein, incorporating his iconic version of Ben-Day dots, halftone dots, angled stripes, and solid color patches. Inspired by Roy's sea and landscape paintings, each artwork generates a unique combination of patterns, shapes, and colors.

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