Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

When does a work stop being the representation of our world and become art?
Can we appreciate a work of art without measuring it with our space-time parameters?
In Time Atlas 🌐 the link with our Earth shaped over millennia through the urbanization process is explicit.
Time Atlas 🌐 uses geo-referenced city data intensively and displays it randomly in geographic areas, showing the current time of each city, whether it is currently exposed to the sun, at night or at dusk by changing the reference color palette . There are over 200 cities collected in its monumental internal archive, each with its own latitude and longitude values, UTC and DST time, number of inhabitants.
Each instance shows a square of our land, the cities arrange you in a grid that respects the distances in proportion. The background rotates to the current value of seconds which is the same all over the world. It is potentially composed of 8 geometric elements that can be present with different probabilities.
City clocks can be of 4 different shapes; the length of the pendulum that rotates with the time of the seconds is composed of 5 elements that combine randomly but the length of the pendulum corresponds to the number of inhabitants of that city.
The elements of the composition can be turned off and on again thanks to these keys:
[c] toggle cities
[w] toggle watches
[b] toggle background
Finally, there is the Written Circles variation. It takes up a past work of mine with the same title and in my initial idea it had to be the only aspect of Time Atlas 🌐. The salient feature of the Written Circles display is that it does not have a rotating background but, for each city, the crown of minutes is proportional to the number of inhabitants, therefore interesting moiré effects are obtained in superimposition. 

Time Atlas 🌐

These are the military alien insects. They are symmetrical and asymmetrical simultaneously for existence in several dimensions. Being in a team, they unite into a collective mind increasing each other's abilities.

**Controls:**

Click to change mode (standard, skeleton, avatar). Press 1 to 9 to set pixel density according to the numbers.

 Sometimes before a new Shvembldr release, there is an opportunity to win TBOA tokens in Alien Insects Battle: https://www.tboa.club/insect_battle.

Alien Insects

Neophyte MMXXII is my ode to the computational beauty of nature. Generative plants grow from nothingness, bloom, fade away, and regrow anew. Each NFT produces a unique species of simulated plant life, and new varieties within that species arise over time. 

The emergent qualities of the genetic code cause Neophyte to ebb and flow between stability and unpredictability. Long term observation is rewarded, as the longest cycles take several hours to complete. These qualities combined, result in artworks which may be cyclical and relatively stable, or may never repeat themselves. 

Neophyte MMXXII is the culmination of an artistic inquiry spanning ten years, five software development environments, and a dozen artworks. If you’d like to learn more about this history, please visit my website.


A note to collectors: 

Collectors of the first 25 editions to be minted may request a signed 19.5x12" (50x30cm) printed circuit board artwork commemorating the release of Neophyte MMXXII at no additional charge. See @sterlingcrispin on Twitter or sterlingcrispin.com for more details.

Neophyte MMXXII is released under the NFT license 2.0, so collectors are free to make prints of their token, and commercialize them within limits. See the NFT license for details.

Neophyte MMXXII

All maps are presented as-is with no guarantee of accuracy or completeness, and are provided without any warranty whatsoever, either express or implied. In no event shall The Artist be held liable for any damages or loss of profits arising from use of the maps, which may not be suitable for legal, engineering, financial, or navigational purposes.

Any resemblance to real locations is purely coincidental, and nothing perceived by the viewer is to be construed as a "legal description". All markings, sections, symbols, patterns, and other visual elements are purely aesthetic devices; they should not be interpreted as geographical, topographical, meteorological, biological, economic, sociological, or political phenomena. Furthermore, all perceived textures, imperfections, shadows, and marks of damage are mere simulations of an analog printing process, and in no way imply the or existence of, or ownership over, a corresponding physical paper map or anything the map may appear to depict.

The maps are not intended to provide any utility to the buyer. All sales are final, and refunds will not be given for any misprints, discolorations, inaccuracies, imprecisions, or unintended features of any kind.

All maps are licensed under a Creative Commons Attribution-NonCommercial 4.0 License.

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