Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

«Ottocento» is a collection of generative portraits of fictional historical figures. The series starts by exploring the nuances of the male figure as represented in the 19th century («Ottocento» in Italian). Further chapters of the project, focusing on different identities, are planned. The illustrations, drawn by hand and then converted to digital, constitute an ironic portrayal of the society of that era. The portraits, all in the same three-quarter view, reference the typological projects of German photographer August Sander.

Individual features and expressions are combined through the controlled randomness that generative art affords, deliberately blurring clear visual distinctions between nationalities, roles, and social classes. The result is an «Esperanto» of human types with an uncanny familiarity. Is that a poet? A salesman? An aristocrat? A farmer? Unlike Sander’s project, «Ottocento» doesn’t force any labels on the characters, eventually leaving the interpretation open to the viewer.

Ottocento

The mid grey chiseled computer interfaces of 1997 have always reminded me of sculptures created in bas-relief, a technique going back to the stone carved petroglyphs that is as ancient as humankind's first steps in making art. The combination of illusion and tactility found in these interfaces shows our longing to have the computer experience to be part of the material world. Therefore it comes as no surprise that the programming language of Ethereum is named 'Solidity'. The blockchain is software, yet it behaves and feels like hardware.

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Window pays tribute to interface culture, and as such, the work is responsive and not scaling. When the work is viewed on a smaller scale, details will disappear, yet the composition stays recognisable. It is like stepping back to see a work from a distance. The work can also increasingly reveal more details when made larger. As a result Window will keep unfolding in the future as resolutions will grow.

The work follows standard window interactions. Double clicking or tapping the title bar will toggle between full browser and windowed view. On a laptop or desktop in windowed view, you can drag and resize your Window as you please. When made tiny, it makes for a nice profile pic. Clicking or tapping the background will cycle through three different background colours.

Window comes in seven latent colours and both in Windows Classic or Mac Classic style.
With the feature ‘Latent colour’ I look at the invisible steps within the procedure of a generative artwork. I love the idea that the script has chosen to feature a colour, but in a later step could fail to make it to the composition. By showing the colour as a feature, I try to extend the visual work with deeper invisible layers of the generative process.
Check the features to see what colour is seeded.

In honour of the blockchain and the web, the work is written in vanilla JavaScript, using no dependancies, and generates standard HTML DOM aiming for a closer feel of the user interface.

Window

Drifting apart as the little islands that we are, you may ask yourself
_What is bigger - the inner space or the outer?_

This project was inspired by the multitudes we keep within us. The harsh shadows and the combination of pure 2d rendering with a 3d effect mimic feelings of separation from the rest of the world. Their undetermined scale reflects the seemingly unlimited depths of consciousness.

_The Inner World_ starts its rendering from one or more circular cores representing the centers of our personalities. Each of these cores spawns various thoughts and emotions, flowing as tendrils through the scene, making connections among themselves or reaching for the outside. Their movement ranges from straight and orderly to (seemingly) chaotic, sometimes twisting the clean underlying personality center into a completely different shape. Two rendering styles (illustrative and shaded) with palettes ranging from cool, gloomy and serious to cheerful or dramatic reflect the variety of predispositions.

While waiting for the rendering to complete, look at the focus animation highlighting the circular cores of your piece. You're invited to spend this time pondering how everything you know, everything you have or will ever experience, and even the most majestic sights from stars to microbes fit into the space between your ears.

The Inner World

Prismatic explores color, refraction, and interaction. Every invocation is presented as a still image, but responds to keystrokes with transformations. Start with the arrow keys. Please note: This project is not presented with any features or traits. While features were used in the algorithm in order to introduce variation, each invocation of Prismatic is intended to be experienced as a piece of a whole. The project itself is the prism, each mint is a moment captured as we pass through it.

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