Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

"Attraction" is a system that draws single pixels, one by one, according to a set of rules inspired by the 'Chaos Game'.
Additionally, trigonometric functions may be used to displace pixels, resulting in wave patterns.

All unique properties of each artwork are defined by the token's hash. This hash will set all the parameters: the color palette, the positioning of objects and the rules by which pixels are drawn.

By the nature of this system, several well known patterns from computing and math may appear in the artworks.

Attraction

_100 PRINT_ is a nonfigurative, abstract generative drawing system based on the principles of visual perspective. Each edition is made up of carefully constructed lines and shapes that fit into a multidimensional world created on the fly, inviting the viewer to let their eyes wander and find pockets of what appear to be deliberately constructed objects in 3D space. _100 PRINT_ is an experimental project that draws inspiration from a wide variety of sources, including cubist and abstract expressionist artworks, printer test sheets, and Escher sketches. It represents a raw display of powerful drawing principles that have governed the construction of many artworks before it.

100 PRINT

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

**SCRIBBLINES** are a tribute to countless drawings that are being created every day during monotonous meetings and are forever lost in trash.

Almost everybody has experienced doodling (or scribbling) at some point in our lives to keep our brains active. The mental state of doodling is between awareness and daydreaming and is known to often inspire creative ideas. Studies have shown that this idle scribbling actually plays a significant part in helping a person concentrate and focus. 

There are many types of idle scribbles - *real world objects (e.g. houses, hearts), people, faces, squiggles, boxes and cubes, ladders and stairs, spider webs, triangles, swirls*, among others. "Scribblines" has always been my favorite idle drawing.  At the core of each piece is a pivot line, created by a random algorithm. This pivot line defines the shape of the entire art piece. Every additional line traces around the pivot line. Computer generated lines allow for perfecting what is never possible in the “pen and paper world” and thus make this, somewhat obsessive, exercise compelling to the perfectionist’s eye. All these become the basics for the Scribblines features.

**Precision**. Even with great effort it is hard to follow the outlines precisely. In scribblines, the lines precision varies from inaccurate (to simulate hand shaking micro movements) to robotically perfect precision.
**Determination**. In a real world environment it is unlikely to find enough time or perseverance to fill in the whole paper surface and finish these drawings. Due to this I chose most of the generated Scribblines to fill the whole screen. However some pieces are set to be finished as a 'bulk' shapes and not fill in the whole piece.
**Paper**. The backgrounds imitate typical types of paper in lighter or darker colour. There are few special 'sticky note' papers in the algorithm as well.
**Pen**. The most variability is produced by opening all possible pen options. Pen thickness can vary from "Rollerball - Ultra Fine" to "Marker - Extra Bold". The most variability is provided by variable line widths in one piece. Random line feature chooses from several line width possibilities for each single line. Thickening or thinning line features creates beautiful shapes with a fade-in or fade-out effect. A similar effect is achieved also by varying line color in some of the pieces.

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