Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

Andradite comes from the transposition of my Modo7 protocol into sculptures. Heavy brutalist shapes that come together to create dark monolithic structures half way between sculpted objects and troglodytic architecture. The name of the script comes from the andradite, a stone which crystallizes following cubic patterns and can be found in deep dark color. The gradient backgrounds create depth and mood and recall the way they showcase the stones in professional mineral photographs.

Andradite

Faceless is inspired by the refugee and immigrant experience. It pays homage to the individuals that have helped over 25 million refugees flee their homeland to find peace and safety elsewhere. Oftentimes, as was the case with my family, it takes the bravery and generosity of a community of individuals, some whose faces will never be known to you, to have the opportunity to reach true freedom and safety. Faceless aspires to share a story of displacement and resilience with the world, and, in turn, give back to the communities that help people in their most critical moments.

Focusing on 2D silhouettes, Faceless is inspired by the Bauhaus designs of the 1920s and illustrates raw human form in a reimagined, colorful, and familiar way. Each output includes faces that are uniquely mapped onto the canvas, meaning no two works will feature the exact same silhouette. Silhouettes are arranged, colored, scaled, and distorted to remind us of the diversity, beauty, and pain that can be found in each unique story.

Faceless

An interactive experience inspired by the classic breakout game. Destroy all the orbiting barriers and reach the core, while creating your own unique melody. Controls: Click to start. Left and right arrow keys or Mouse/trackpad to control the baton. P to pause. Look out for power-ups!

celestial cyclones

When does a work stop being the representation of our world and become art?
Can we appreciate a work of art without measuring it with our space-time parameters?
In Time Atlas 🌐 the link with our Earth shaped over millennia through the urbanization process is explicit.
Time Atlas 🌐 uses geo-referenced city data intensively and displays it randomly in geographic areas, showing the current time of each city, whether it is currently exposed to the sun, at night or at dusk by changing the reference color palette . There are over 200 cities collected in its monumental internal archive, each with its own latitude and longitude values, UTC and DST time, number of inhabitants.
Each instance shows a square of our land, the cities arrange you in a grid that respects the distances in proportion. The background rotates to the current value of seconds which is the same all over the world. It is potentially composed of 8 geometric elements that can be present with different probabilities.
City clocks can be of 4 different shapes; the length of the pendulum that rotates with the time of the seconds is composed of 5 elements that combine randomly but the length of the pendulum corresponds to the number of inhabitants of that city.
The elements of the composition can be turned off and on again thanks to these keys:
[c] toggle cities
[w] toggle watches
[b] toggle background
Finally, there is the Written Circles variation. It takes up a past work of mine with the same title and in my initial idea it had to be the only aspect of Time Atlas 🌐. The salient feature of the Written Circles display is that it does not have a rotating background but, for each city, the crown of minutes is proportional to the number of inhabitants, therefore interesting moiré effects are obtained in superimposition. 

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