Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

“𝙸 𝚊𝚖 𝚒𝚗𝚝𝚛𝚒𝚐𝚞𝚎𝚍 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚜𝚑𝚊𝚙𝚎𝚜 𝚙𝚎𝚘𝚙𝚕𝚎 𝚌𝚑𝚘𝚘𝚜𝚎 𝚊𝚜 𝚝𝚑𝚎𝚒𝚛 𝚜𝚢𝚖𝚋𝚘𝚕𝚜 𝚝𝚘 𝚌𝚛𝚎𝚊𝚝𝚎 𝚕𝚊𝚗𝚐𝚞𝚊𝚐𝚎. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚠𝚒𝚝𝚑𝚒𝚗 𝚊𝚕𝚕 𝚏𝚘𝚛𝚖𝚜 𝚊 𝚋𝚊𝚜𝚒𝚌 𝚜𝚝𝚛𝚞𝚌𝚝𝚞𝚛𝚎, 𝚊𝚗 𝚒𝚗𝚍𝚒𝚌𝚊𝚝𝚒𝚘𝚗 𝚘𝚏 𝚝𝚑𝚎 𝚎𝚗𝚝𝚒𝚛𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚠𝚒𝚝𝚑 𝚊 𝚖𝚒𝚗𝚒𝚖𝚞𝚖 𝚘𝚏 𝚕𝚒𝚗𝚎𝚜, 𝚝𝚑𝚊𝚝 𝚋𝚎𝚌𝚘𝚖𝚎𝚜 𝚊 𝚜𝚢𝚖𝚋𝚘𝚕. 𝚃𝚑𝚒𝚜 𝚒𝚜 𝚌𝚘𝚖𝚖𝚘𝚗 𝚝𝚘 𝚊𝚕𝚕 𝚕𝚊𝚗𝚐𝚞𝚊𝚐𝚎𝚜, 𝚊𝚕𝚕 𝚙𝚎𝚘𝚙𝚕𝚎, 𝚊𝚕𝚕 𝚝𝚒𝚖𝚎𝚜.”

'Automatism' is inspired by the practice of artists where they are given a writing implement and a blank surface, and they go freestyle, almost mindlessly filling up the space with whatever comes to their minds and out of their hands. I've often wondered where a machine's mind and "hand" would wander given the same opportunity.

This project explores the age-old computer art phenomenon of inviting the viewer to actively participate in the interpretation of the visual output. The way "Sharp-E" draws the strokes is through a mix of various movements — irregular curves, straight lines, sudden changes in direction — in a classic random walk algorithm, while avoiding overlaps with previously drawn strokes. There are no pre-programmed forms per se, but nevertheless it can be common for the viewer to perceive images, symbols, meaning in the generated output.

So where does your mind wander? What forms, symbols, and meaning do you see?

Controls:
• 'D' toggles pausing/drawing or continues space-filling after the first stop (if available)
• 'R' reassembles the piece (This automatically happens every minute)
• 'S' saves the output

Automatism

This algorithm features a generative pattern created after subtracting two small numbers using the sum to place circles. All colors, positions, and color patterns are based off Ethereum blockchain data.

Star Flower

Skateboarding is a discipline like no other, some people call it a sport but I like to think of it as a way of expression. Very much like generative art, it is very technical yet creative and requires a lot of practice and dedication to master. In this project I want to show the beauty lying behind some of the most popular tricks by using the skateboard’s movement as input to generate 3D moving real-time sculptures // Every iterations are WebXR enabled and can be viewed in immersive VR and AR // Drag to rotate around the scene, press S to take a hi-res screenshot // 25% of primary sales will be distributed to The Skatepark Project, The Water Project and the Mozilla Foundation //

Beauty of Skateboarding

Using single Cyrillic character typography with an inspiration from Soviet era punch cards, technology and mentality to some extent, _Such A Lovely Time_ is part of an ongoing obsession of creating visual complexity from the most basic shapes while retaining a sense of order in appearance. This sense of structure is something that holds true to most of us individuals, communities, nations. However disorganised or frail one may be on the inside one often makes a substantial effort to appear structured, ordered. In other words our orderliness stems from the perception of that very orderliness.

The themes explored in my work are often a bi-product of my echoic memory in which I often pick up on background movie dialogues and tend to remember them by associating a colour and feeling to them. This in turn becomes an artistic direction, drawing inspiration from the sets, colours, location, time period, soundtrack, language and so on. The soundbite and evoked emotions guide the exploration and creation process.
More often than not the line from the movie becomes the title for the piece, as is the case for _Such A Lovely Time_.

_Such A Lovely Time_ has a number of simple traits that when combined create intricate compositions.
- Three different styles (Grid, Punch Card and Mixed) set the foundation.
	- The Grid style is based on a simple grid of elements with varying levels of density.
	- While the Punch Card style is essentially also a grid, it has a different rhythm to it, at times very sparse with isolated clusters, at other times those clusters and elements are connected together almost resembling sheet music. In some instances the Punch Card can be very dense almost to the point of saturation.
	- The Mixed style is a blend of the two aforementioned and introduces a higher degree of variations and somewhat unexpected results.

- There are 16 palettes, each one of them named after a city. The colours are extracted from personal travel photos to those cities before being fine tuned.

- The Cyrillic glyph is the centre piece of the composition, sometimes bold and in the foreground, at times fragmented and sometimes even hidden, as if an invitation to the viewer to look closer and explore the many layered details.

- The other traits that make up the piece may have less depth in their meaning but add to the overall amount of graphical variations.

Each iteration of _Such A Lovely Time_ is a generative attempt at technical aesthetics.

Created by petitsapin (Dominique McKerl Dautheribes).

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