Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

“Phototaxis” is a simulated environment populated by simple machines. After Valentino Braitenberg’s 1984 book “Vehicles,” there are four kinds of machines with different wiring and behaviors: Explorers, Aggressors, Lovers, and Cowards. Each line charts the history of one machine’s movement. The core of this code was the foundation for my MicroImage series of works dating back to 2001. I’ve worked on it in fits and starts since then, and in 2021 it was further developed for Art Blocks. Press ‘P’ to play/pause, ‘B’ for the big bang, ‘1’–’5’ to change the magnification, and ‘L’ to reveal the lights’ locations.

Phototaxis

Cryptocountries is a limited-edition series of digital prints using the medium of generative art. Each map is created by first procedurally generating a terrain height map and then rendering a map in a range of different styles and colours. Each print derives its randomness from a corresponding hash constraining the infinite possibilities for each print in the edition to a single unique image.

The series invites the observer to lose themselves in a selection of maps and annotated photographs from the unorganized archives that loosely chronicle the travels of a stranger in a mythical land.


## Prints 

All original token holders that mint a piece over 1.5 Ξ will be eligible for a single edition (1/1) handmade signed print of their edition using a printmaking technique suitable for the style of image (intaglio etching, screenprint, cyanotype, etc.).  The token holder will be consulted in the creation of their print. Size, paper choice, type of ink and even colours can be customized and chosen to suit the token holder's preferences.   

In addition, free signed digital prints on archival paper will be available to the following collectors
- All original holders that mint over 0.6 Ξ will receive a large signed digital print
- All original holders that mint over 0.3 Ξ will receive a medium signed digital print

All token holders will be able to purchase a signed print of any mint they currently own.

More information on prints can be found [here](https://www.michaelgdevereux.com/cryptocountries-prints).

CryptoCountries: The Unpublished Archives of a Mythical World Traveler

This project explores the highly mathematical world of Islamic geometric patterns.

Islamic design is one of the world's great artistic traditions, but not much is known about the methods used by artisans in centuries past to construct them. One of the first attempts to formalize the geometry behind Islamic patterns was E.H. Hankin's seminal 1908 paper "Polygons in Contact", which remains a key technique today. Our project combines the approach described by Hankin with transformations of designs found at real-world historical sites.

Two Mathematicians avoids traditional ornamentation and colouring. It seeks to find beauty in the geometry of the patterns themselves, embellishing only with subtle combinations of basic line and dot shapes. Its two archetypes contrast the precision and order found in Islamic patterns with the informality of a rough draft. In that, it reflects the personalities of its creators, alternating between the obsessive need for order and exactness, and the embrace of just winging it.

Controls:
- Zoom in or out with scroll wheel, or arrow up/down. 
- Press 'i' to see the underlying structure.

Two Mathematicians

Attempts at perfection are destined to fail. This project embraces the impossibility of perfection in human execution and digitally simulates these imperfections.

In his abstract minimalist work, visual artist Wouter Kalis steers away from meaning. Horizontal black and white paper strips are placed on colored paper panels and one strip dictates the placing of the next. However, each attempt at perfection ends in failure. These mistakes have now become the signature of his work and contribute to the depth of content.

Digital representations of minimalist art can be executed to perfection but are less interesting to look at. In this project, artist Wouter Kalis and his son, software engineer Rosco Kalis, together attempt to recreate the human touch in digital art, the imperfection. 

The project displays computer-generated digital works similar to the physical works made out of paper. The colors of the digital panels are directly derived from the colors of the paper used for the physical work. The digital works can thus be reproduced using real paper. Please see the project website for details if you're interested in purchasing a handmade physical reproduction of your NFT.

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