When does a work stop being the representation of our world and become art?
Can we appreciate a work of art without measuring it with our space-time parameters?
In Time Atlas 🌐 the link with our Earth shaped over millennia through the urbanization process is explicit.
Time Atlas 🌐 uses geo-referenced city data intensively and displays it randomly in geographic areas, showing the current time of each city, whether it is currently exposed to the sun, at night or at dusk by changing the reference color palette . There are over 200 cities collected in its monumental internal archive, each with its own latitude and longitude values, UTC and DST time, number of inhabitants.
Each instance shows a square of our land, the cities arrange you in a grid that respects the distances in proportion. The background rotates to the current value of seconds which is the same all over the world. It is potentially composed of 8 geometric elements that can be present with different probabilities.
City clocks can be of 4 different shapes; the length of the pendulum that rotates with the time of the seconds is composed of 5 elements that combine randomly but the length of the pendulum corresponds to the number of inhabitants of that city.
The elements of the composition can be turned off and on again thanks to these keys:
[c] toggle cities
[w] toggle watches
[b] toggle background
Finally, there is the Written Circles variation. It takes up a past work of mine with the same title and in my initial idea it had to be the only aspect of Time Atlas 🌐. The salient feature of the Written Circles display is that it does not have a rotating background but, for each city, the crown of minutes is proportional to the number of inhabitants, therefore interesting moiré effects are obtained in superimposition. 

Time Atlas 🌐

Nine factions populate the virtual space. While Utopians develop the main net, the others work on their nodes building an economy system over the secondary chains.
Each station is focusing on one activity but there’s some dangers out there: Scammers and Hackers trying to survive doing obscure things.
There are also some drafts and blueprints of stations waiting for a faction to buy and build them. Who knows what its final purpose will be.

This project plays with procedural architectonic structures. I’m using a sci-fi style to present a virtual world populated by space station-like structures.

Use Mouse to Control the Camera.
Click: Stop Rotation.
Double Click: Reset Auto Rotation.
Press Any Key to Change Background Mode. Space -> Stripped -> Fog -> Transparent

Stations

The Quantum Collapses project is at the intersection of art, science, and technology. It is an ever-evolving, interactive journey in the Hilbert space, where quantum states live. The richness and mysteries of this space remind our unconscious mind.

25 years of passionate scientific research in the field of quantum optics led to this work as a tribute to the magic of quantum physics and the forthcoming quantum digital era.

Abstract expressionist paintings often depict imagined forms beyond the visible world. They emphasize free, spontaneous, and emotional expression of the artist, while Quantum Collapses aims to explore the unconscious mind and personal emotions of the viewer. During our artistic research, we found out the Hilbert space is populated by a variety of weird creatures, ghosts, landscapes... How they are perceived is purely a reflection of ourselves.

Each quantum superposition evolves in time, generating an unlimited flow of new shapes (no loop). You may interact with them in different ways, but doing so, according to the laws of quantum theory, will cause their collapse. Once you press [m], stay quiet if you don't wish to collapse them all. New artworks emerge from the interplay between the user, unitary evolution, and quantum randomness.

A LIVING ARTWORK
Quantum Collapses will undergo some evolutionary steps. At some point, all the outputs will display new animations on monthly basis. However, we believe in the power and beauty of memories and of history. It will always be possible to retrieve previous animations.

NOTES
The owners of the first 32 editions, minted after unpausing, can receive up to four additional signed prints of new images or grids of their edition chosen by them. Details can be found on the project website.

CONTROLS:
[mouse click]: Clicking on the shapes cause their collapse/reset
[mouse click]: Clicking on background toggles play/pause
[long press]: Hold mouse button down to reset all
[space] or [p]: Play/Pause
[i]: Reset all
[s]: Screenshot
[m]: Activates the microphone to enable interaction by sound

Quantum Collapses

Mazinaw is about the timeless struggle to express our humanity and communicate the ineffable. The title derives from Mazinaabikinigan-zaaga'igan, an Algonquin word meaning “picture” or “writing”, alluding to the dual nature of pictographs. 

Inspired by my encounters with neolithic cave paintings in Europe and indigenous pictographs flanking Canadian lakes, Mazinaw hints at etchings, drawings, and anthropomorphic forms. While Mazinaw draws on expressionists from Wassily Kandinsky to Norman Lewis, it takes abstraction one step further: each piece is constructed by the artist indirectly, via a generative code, allowing the emergence of new undreamt-of forms.

The 19 palettes are inspired by the natural world, but their roles are sometimes twisted: cerulean blue strokes appear over an ochre canvas, and green flashes of light hop across a gray expanse. I invite the viewer to spend time with each piece, finding their own order from chaos. Signed fine-art archival inkjet prints will be available for owners at a modest cost.

Note: Mazinaw is best viewed in large format (full screen), or printed. Each piece has infinitely fine details, some of which will only be visible in print. Mazinaw renders seamlessly in any aspect ratio; adjust the window size and shape as desired, click on the frame, and type 'f'. 

Controls:

 s   -- save as png
 spacebar  -- pause/unpause
  f   -- toggle square / fit-to-screen aspect ratio
   1-6  -- set pixel density (default=2 on retina displays)
   +/-  -- increase/decrease pixel density
   n -- enable/disable night mode
   p -- enable/disable pastel mode

Mazinaw

Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

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