Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

These are the military alien insects. They are symmetrical and asymmetrical simultaneously for existence in several dimensions. Being in a team, they unite into a collective mind increasing each other's abilities.

**Controls:**

Click to change mode (standard, skeleton, avatar). Press 1 to 9 to set pixel density according to the numbers.

 Sometimes before a new Shvembldr release, there is an opportunity to win TBOA tokens in Alien Insects Battle: https://www.tboa.club/insect_battle.

Alien Insects

“little boxes on the hillsides, child” is a series of abstract suburban cityscapes powered by a program of LIA’s own design and development. Over the 25 years of her artistic career, LIA's working process has typically involved as much intuition as it does engineering skill, and this piece is no exception. Growing from an initial Processing sketch by way of the artist's careful selection of angles, transparencies, and line weights, a virtually infinite sequence of house-like forms appears and disappears. LIA conceives of her practise as a conversation between her own fluid concepts and the formal precision required of software code; when accidents or bugs appear, they are often treated as a part of this conversation and incorporated into the final work. In this piece the “cheeky blue” and “cheeky red” features arise from a bug in calculating the colour spread, and have been retained for their aesthetic contribution to the images. Taking inspiration from the song “Little Boxes” by Malvina Reynolds, this piece is a contemplation of houses and cities. The cyclical relationship between the construction of homes, the lands and environments they have replaced, and the ecosystems that will eventually replace them is echoed through an infinite production of geometric compositions. “little boxes on the hillsides, child” is the successor of “little boxes on the hillsides, mother”, presented in the exhibition “Synthetic Imagination” at bitforms gallery San Francisco, October 2–November 15, 2021. The NFTs minted on Art Blocks are the children of the “mother” work: brilliantly colourful, they are rendered in stillness as an artifact of the mother program's generative output, whose ancestry can be activated on the Art Blocks website by pressing the 'a' key to reveal the animated process behind the production of the still image. Dutch auction starting at 5Ξ and decreasing every 5 minutes to 0.2Ξ (5→4→3→2→1.5→1.25→1→0.75→0.5→0.4→0.3→0.2), 25% of sales over 0.2 ETH will be donated to charity (5% to the Processing Foundation, 20% to COTAP - Carbon Offsets To Alleviate Poverty).


little boxes on the hillsides, child

A yearning. For places we haven't been or seen.
Seasons come, seasons go, and at times how the sun slants through those leaves on an autumn afternoon stays with us - we try to recollect that fleeting memory or imagination - an escape from the mundane. To places far away. 

Fernweh is a window to that space , spaces we yearn to see. And as in nature, lines are never too straight, colours are as bright as they come.  
Generative art that anyone can relate to - there's something for everyone in Fernweh.
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Why Fernweh?

Fernweh is an attempt to strike a balance between the Figurative Art genre, the Generative Art medium and NFTs. Generative Art usually has very measured lines, intricate designs and a very well executed, "clean" and “sterile” feel to it. Figurative Art on the other hand is oft full of “Happy Little Accidents” as the legendary Bob Ross would have said - a smudge here, a blob there - relatable and human.

Talking of humans, the most sold and easily relatable works of art, be it paintings or photographs, are figurative in nature and are of landscapes. With generative art, this is usually not common - there’s a tendency to lean towards the abstract - and yes, abstractness is beautiful, personally as an artist, I love it. That said, a lot many of us relate easily to figurative art than to the abstract. My personal theory is that humans are always looking for quick answers and the comfort of recognizable surroundings and figurative art gives it to us on a platter. 

Fernweh tries to create that perfectly imperfect mix. Figurative art through procedural generation. Palettes with enough contrast and colour to be the living room’s focal point, art that anyone can relate to - an NFT that, hopefully, will not need a lot of explanations but complex and beautiful enough to attribute value to. Oh, and with one additional render each to satiate that abstract lover in us.

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Features & Generation

Each season's palette is drawn from random combinations of nearly 100K handpicked outcomes for Petal, Leaf, Veins, Connectors,  Leaf boundaries, Bark perforations and the background.

The rendered output transitions through 3 phases - Abstract, Original and Etched images. This means that each mint has three different renders that change based on the Transition attribute. Some will change everyday, some in a couple, some in a week's time and so on!  

See below how to Interact with Fernweh in Live View mode (full-screen): 
- In full-screen mode, watch your trees render and grow into a grove.
- Click the mouse in live-view to toggle through the three renders (Abstract, Original and Etched). It may take a few seconds to toggle through the three rendered views.
- Undisturbed, the transition of the renders reverts to Phase Attribute values.
- Press the key - "S" - to download the render you want to save. 

Please note that the render is a bit resource intensive and may take from 1 min to 2.5 mins to render and load.

Digital Art Display Giveaway: 10 minting addresses will be randomly chosen to receive a Smart Digital Art Display and frame! Winners will be picked once the minting is complete (shipping costs will be borne by the artist).

Enjoy your three renders! 

Fernweh

Aragnation questions preconceived notions of what AI art can be. Does AI art have to be powered by giant neural networks? Do the aesthetics have to be that of photos or paintings or collages of pieces thereof?

Aragnation uses tiny AI models and constructs abstract imagery in the vocabulary of abstract blobs and organic textures rather than pixels. It is playful with colors. It has a hint of a watercolor and art paper aesthetic. 

The training data includes photographs taken by one of the artists, Abhishek.  The generated pieces thus capture, in broad strokes, Abhishek’s photography – nature, landscapes and urban settings.

In a refreshing contrast to the gravity of the role AI technology is playing in content creation and creative expression, Aragnation brings a light and joyful touch to generative AI art. 

No GPUs were harmed in the making of Aragnation. All AI models are entirely different architectures than those commonly used, and have been designed and trained from scratch by the artists.

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