Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

A yearning. For places we haven't been or seen.
Seasons come, seasons go, and at times how the sun slants through those leaves on an autumn afternoon stays with us - we try to recollect that fleeting memory or imagination - an escape from the mundane. To places far away. 

Fernweh is a window to that space , spaces we yearn to see. And as in nature, lines are never too straight, colours are as bright as they come.  
Generative art that anyone can relate to - there's something for everyone in Fernweh.
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Why Fernweh?

Fernweh is an attempt to strike a balance between the Figurative Art genre, the Generative Art medium and NFTs. Generative Art usually has very measured lines, intricate designs and a very well executed, "clean" and “sterile” feel to it. Figurative Art on the other hand is oft full of “Happy Little Accidents” as the legendary Bob Ross would have said - a smudge here, a blob there - relatable and human.

Talking of humans, the most sold and easily relatable works of art, be it paintings or photographs, are figurative in nature and are of landscapes. With generative art, this is usually not common - there’s a tendency to lean towards the abstract - and yes, abstractness is beautiful, personally as an artist, I love it. That said, a lot many of us relate easily to figurative art than to the abstract. My personal theory is that humans are always looking for quick answers and the comfort of recognizable surroundings and figurative art gives it to us on a platter. 

Fernweh tries to create that perfectly imperfect mix. Figurative art through procedural generation. Palettes with enough contrast and colour to be the living room’s focal point, art that anyone can relate to - an NFT that, hopefully, will not need a lot of explanations but complex and beautiful enough to attribute value to. Oh, and with one additional render each to satiate that abstract lover in us.

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Features & Generation

Each season's palette is drawn from random combinations of nearly 100K handpicked outcomes for Petal, Leaf, Veins, Connectors,  Leaf boundaries, Bark perforations and the background.

The rendered output transitions through 3 phases - Abstract, Original and Etched images. This means that each mint has three different renders that change based on the Transition attribute. Some will change everyday, some in a couple, some in a week's time and so on!  

See below how to Interact with Fernweh in Live View mode (full-screen): 
- In full-screen mode, watch your trees render and grow into a grove.
- Click the mouse in live-view to toggle through the three renders (Abstract, Original and Etched). It may take a few seconds to toggle through the three rendered views.
- Undisturbed, the transition of the renders reverts to Phase Attribute values.
- Press the key - "S" - to download the render you want to save. 

Please note that the render is a bit resource intensive and may take from 1 min to 2.5 mins to render and load.

Digital Art Display Giveaway: 10 minting addresses will be randomly chosen to receive a Smart Digital Art Display and frame! Winners will be picked once the minting is complete (shipping costs will be borne by the artist).

Enjoy your three renders! 

Fernweh

When feeling stuck, go back to your roots. Rinascita is the legacy of Essenza, rebirth through epiphany. A celebration of gratitude, joy, and family. In a sudden awareness of the raw greatness of life.

Rinascita

“𝙸 𝚊𝚖 𝚒𝚗𝚝𝚛𝚒𝚐𝚞𝚎𝚍 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚜𝚑𝚊𝚙𝚎𝚜 𝚙𝚎𝚘𝚙𝚕𝚎 𝚌𝚑𝚘𝚘𝚜𝚎 𝚊𝚜 𝚝𝚑𝚎𝚒𝚛 𝚜𝚢𝚖𝚋𝚘𝚕𝚜 𝚝𝚘 𝚌𝚛𝚎𝚊𝚝𝚎 𝚕𝚊𝚗𝚐𝚞𝚊𝚐𝚎. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚠𝚒𝚝𝚑𝚒𝚗 𝚊𝚕𝚕 𝚏𝚘𝚛𝚖𝚜 𝚊 𝚋𝚊𝚜𝚒𝚌 𝚜𝚝𝚛𝚞𝚌𝚝𝚞𝚛𝚎, 𝚊𝚗 𝚒𝚗𝚍𝚒𝚌𝚊𝚝𝚒𝚘𝚗 𝚘𝚏 𝚝𝚑𝚎 𝚎𝚗𝚝𝚒𝚛𝚎 𝚘𝚋𝚓𝚎𝚌𝚝 𝚠𝚒𝚝𝚑 𝚊 𝚖𝚒𝚗𝚒𝚖𝚞𝚖 𝚘𝚏 𝚕𝚒𝚗𝚎𝚜, 𝚝𝚑𝚊𝚝 𝚋𝚎𝚌𝚘𝚖𝚎𝚜 𝚊 𝚜𝚢𝚖𝚋𝚘𝚕. 𝚃𝚑𝚒𝚜 𝚒𝚜 𝚌𝚘𝚖𝚖𝚘𝚗 𝚝𝚘 𝚊𝚕𝚕 𝚕𝚊𝚗𝚐𝚞𝚊𝚐𝚎𝚜, 𝚊𝚕𝚕 𝚙𝚎𝚘𝚙𝚕𝚎, 𝚊𝚕𝚕 𝚝𝚒𝚖𝚎𝚜.”

'Automatism' is inspired by the practice of artists where they are given a writing implement and a blank surface, and they go freestyle, almost mindlessly filling up the space with whatever comes to their minds and out of their hands. I've often wondered where a machine's mind and "hand" would wander given the same opportunity.

This project explores the age-old computer art phenomenon of inviting the viewer to actively participate in the interpretation of the visual output. The way "Sharp-E" draws the strokes is through a mix of various movements — irregular curves, straight lines, sudden changes in direction — in a classic random walk algorithm, while avoiding overlaps with previously drawn strokes. There are no pre-programmed forms per se, but nevertheless it can be common for the viewer to perceive images, symbols, meaning in the generated output.

So where does your mind wander? What forms, symbols, and meaning do you see?

Controls:
• 'D' toggles pausing/drawing or continues space-filling after the first stop (if available)
• 'R' reassembles the piece (This automatically happens every minute)
• 'S' saves the output

Automatism

In this collection, each mark on the digital canvas is made by text of the algorithm that created it. When viewing Symbol 1, you’re viewing its code – logic becoming art.

If you look closely at an oil painting you may see brushstrokes. If you look closely at an iteration of Symbol 1, you'll see snippets of the code that generates the piece itself: text from for() loops repeated over and over; the Random() function itself weaving through the piece; and the hash code, like an artist signature, displayed on the bottom right.

Organic and mechanical forces have long been in tension in art and architecture. Art nouveau's floral  curves vs. art deco's industrial geometry, Jackson Pollock's declaration “I am nature” vs. Andy Warhol's confession “I want to be a machine,” etc.

This conversation continues in generative art. One collection might appear surprisingly organic, as if crafted by hand; another might appear strictly computer generated, showing the expressive power of machines.

Symbol 1 joins this conversation, offering another way to synthesize the natural and the mechanical. Just as a crashing ocean wave could be explained mathematically by the forces that generated it, an image in Symbol 1 appears almost chaotic while revealing the logic that created it.

About the title: Symbol 1 is a term from First Principles, a chapter in The Mathematical Analysis of Logic (1847) by George Boole, a founder of modern logic. For Boole, “symbol 1” represents “the Universe comprehending every conceivable class of objects, whether actually existing or not.”

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