"The rhythm of a design is characterized by the placement of its elements and the direction and speed of their visual movement." -Foundations of Design // 50% of artist proceeds from minting will be donated to No Kid Hungry.

Rhythm

﻿Abstraction is a complex abstract artwork created in several stages where each new element drawn takes into account the elements drawn in the previous stages.

Abstraction

***"Ode to Untitled"***  is a culmination of inspiration from the color field and minimalist painters of the 20th century.  While my medium has changed from disc golf discs, to canvas, to digital canvas, to digital photography, and finally to code editor - the inspiration and output has remained abstract.  Seeing the works of Clyfford Still, Morris Louis, Agnes Martin, Barnett Newman, Mark Rothko, Ellsworth Kelly, Frank Stella, and Kenneth Noland (among others - hi Roy) seeded my desire to create visual art.

What many of these artists have in common, sometimes for differing reasons, was a fondness for naming their works *"Untitled"*.  Clyfford Still was entirely dedicated to this practice, while others came and went.  When other titles were used, often they were nondescript cataloging values or a rote description of the colors or shapes found in the work.  And, of course, abstract art history in general, and our current day, is littered with *"Untitled"* works.  Whether a desire to leave interpretation open to the viewer, not wanting to sully their visual work with words, a dedication to minimalism, or laziness - it's all fine with me.

While "Ode to Untitled" is not a direct reflection of any particular works, you will see influences shining through:  zips of color streaking across the canvas, an appreciation of the simple square and grids, a focus on texture, large fields of color, and a love of minimalism.  This one goes out to all the *"Untitled"* works.

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Ode to Untitled

Incomplete Control is about letting go, allowing room for error and imperfection. It is a meditation on the relation between analogue and computational aesthetics. The output space is a continuous spectrum. Each iteration has its own character to discover and enjoy, if you are willing to give it the time.

Incomplete Control

Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

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