Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

As the sun sets on the 70s, things become bigger, bolder and brasher. 80s Pop enters a new decade of extravagance with cutting-edge vector graphics, stylish modern patterns, cable TV and mainframe access.

A celebration of 1988, a whole year of games, tech and art crammed into one variety pack. The only way we could fit more in would be to put it on laserdisc.

Purchasing is suggested for expert users only and those already familiar with 70s Pop; fortune shines on the brave, and rarity is an illusion.

**Keyboard controls - _not mobile_** 
Space - Start, perhaps.
, . - Left/Right, sometimes.
Q A P L - Up-ish, Down-ish, other times.
s - Save screenshot (slow).
h - Toggle highrez (even slower).  

Interactive elements are for desk/laptop only as they require keyboard input, Chrome recommended for the smoothest experience. Highscores 👀 may be kept in localStorage on your browser.

80s Pop Variety Pack - for experts only 🕹

***Ingress*** is an immersive, interactive virtual space filled with color and lights. A visitor stands in the middle of the synthetic space with nothing to define their orientation or the interior scale. Sight direction might be an initial clue to the positioning, but as it turns out, it would be misleading. Floating, pulsating, and blending lights either close the surroundings or open it to infinity. Even though there are no restrictions in viewing direction, the visitor's position is bonded to the center. 

The feeling might be calming, or disturbing. One might find it a beautiful and peaceful surrounding for contemplation, while others will recognize reminiscences of dark video games. Some spaces might be perceived as energetic music clubs, while others will resemble temples' interiors.

Mobile rendering brings an even more powerful experience. When the device is moved, the visuals change accordingly. A small screen held in the viewer's hand turns into a discrete window allowing for some augmented voyeurism. The urge to see the hidden space makes the visitor move around, reach out and discover the ambiance. It's an opportunity of experiencing the second world, located in an unknown dimension.

Mobile devices are recommended for the most augmented and immersive experience. 
*Use a chromium-based browser for the best experience (e.g. Chrome, Opera). iOS devices need orientation data permission.*

On desktop devices, a fullscreen display is suggested.

***navigation:***
mouse: `LMB + drag, scroll`
keyboard: `arrows, +, -`
mobile: `interactive, pinch`
view presets: `[1]` – still camera, `[2]` – predefined camera movement
save image: `[s]`

Ingress

### Good job, Computer. Do that some more.

To what degree can we teach a computer to make a painting? One that resembles creation from the imperfect hand of a human. Here, the computer attempts to hide itself from the viewer in the details, such as inconsistent borders or uneven layers of paint. Intentional flaws that a human might make unintentionally.
Good, Computer is an exploration of not only how small cumulative inaccuracies create complete images, but also the forms and harmonies that those images evoke.

Consider the following:

***A set of 4 colors is to be considered -- singly as "actors," together as "cast." They are to be presented in 4 different arrangements -- as "performances."***
***Although they remain unchanged in hue and light, in "character", and appear in an unchanging outer frame, the "stage", they are to produce 4 different "scenes" or "plays," each to be so different that one and the same set of colors will be seen as 4 different sets, presented by 4 different casts.***
***And all this can be achieved mainly through changes in quantity which result in shifts of dominance, of recurrence, and consequently of placement.***
***The essential question: which group of colors is ready to lose its identity as a cast?*** 
***-- Josef Albers***

We can answer this question simply by asking ourselves why we're drawn to some arrangements more than others. In doing so, we consider not just tone, but also quantity, intensity and weight in order to form new relationships between the colours. And as such the viewer gives each image their own subjective personality.

---

Press `s` to save image.

Good, Computer

Cushions brings together image processing and generative art techniques. The latter provides the geometric structure, and the former creates the organic shapes. Every single pixel and its connectedness to other pixels are explicitly considered. Inspiration for the palettes ranges from digital illustrations and pastels to a nod to renowned artists and different ethnicities. The organic shapes and the textures within symbolize the beauty in our individual oddities. Some pieces evoke the semblance of fantastical dreams in starry nights. Some of the comfort and familiarity of home. Some of nostalgia and long-lost friends. Some of reasonable and grounded perspectives. Some of sparks, some of style, some of strength, and some of passion. Some of candy. Some of pop art. Some of modern interior design. And some of traditional Indian cushions, known as Takiya.

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