Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

This collection is a study of identity in the modern digital era, increasingly dominated by NFT profile pictures. We all construct complex identities to project out into the world, perhaps to distract ourselves from facing the real question that is gnawing at our subconscious. "Who am I?" The moment we feel ourselves begin to grasp an answer it recedes further out of reach leaving us in free fall. The good news is there is no ground.

We pay homage to Ukrainian-born artist Kazimir Malevich, founder Suprematism, an avant garde art movement focused on the fundamentals of geometry and the essence of experience. In the same way that artists from this movement explored the supremacy of pure artistic feeling, we explore the pure essence of identity and self-expression. Can we express an identity using  long form generative art with nothing but math and code? What is considered beautiful and desirable?

Taking this further we then explore the concept of Ego Death. Each piece represents not just the aesthetic combination of geometry and faceless human energies, but can be used as a meditation object that will remind the collector of the illusion of self. We have created a new type of pfp project that doesn’t just represent the egoic desire to fulfill ambitions and own scarce luxury goods, but rather is a true expression of one’s soul on the journey to enlightenment. 

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# Interactivity
This artwork contains one important interaction. The viewer is invited to click on the image, at which point it comes to life allowing the viewer to explore his or her identity by moving the mouse. We liken this to sitting down to meditate and asking the question “who am I?”. As the exploration continues, the viewer realizes that the decorative and outwardly expressed aspects of identity are but an illusion and they begin to dissolve.  Eventually the viewer experiences ego death, arriving at a pure black square illuminated by a sliver of light. The light of pure awareness. The viewer realizes he or she is nothing more, and nothing less, than consciousness itself.

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# Features
The algorithm maps color palette variations and meta-structures of the geometries to different human archetypes. The code playfully generates characters for each collector based on a unique moment in time, and the collector’s unique wallet address, which we hope will establish a personal connection with the piece.

Some of the most rare pieces are the most undecorated, representing the highest version of enlightenment that is hardest to achieve through practice. When you dissolve into the absolute there is no more decoration but only the feeling of oneness.

Ego Death

“little boxes on the hillsides, child” is a series of abstract suburban cityscapes powered by a program of LIA’s own design and development. Over the 25 years of her artistic career, LIA's working process has typically involved as much intuition as it does engineering skill, and this piece is no exception. Growing from an initial Processing sketch by way of the artist's careful selection of angles, transparencies, and line weights, a virtually infinite sequence of house-like forms appears and disappears. LIA conceives of her practise as a conversation between her own fluid concepts and the formal precision required of software code; when accidents or bugs appear, they are often treated as a part of this conversation and incorporated into the final work. In this piece the “cheeky blue” and “cheeky red” features arise from a bug in calculating the colour spread, and have been retained for their aesthetic contribution to the images. Taking inspiration from the song “Little Boxes” by Malvina Reynolds, this piece is a contemplation of houses and cities. The cyclical relationship between the construction of homes, the lands and environments they have replaced, and the ecosystems that will eventually replace them is echoed through an infinite production of geometric compositions. “little boxes on the hillsides, child” is the successor of “little boxes on the hillsides, mother”, presented in the exhibition “Synthetic Imagination” at bitforms gallery San Francisco, October 2–November 15, 2021. The NFTs minted on Art Blocks are the children of the “mother” work: brilliantly colourful, they are rendered in stillness as an artifact of the mother program's generative output, whose ancestry can be activated on the Art Blocks website by pressing the 'a' key to reveal the animated process behind the production of the still image. Dutch auction starting at 5Ξ and decreasing every 5 minutes to 0.2Ξ (5→4→3→2→1.5→1.25→1→0.75→0.5→0.4→0.3→0.2), 25% of sales over 0.2 ETH will be donated to charity (5% to the Processing Foundation, 20% to COTAP - Carbon Offsets To Alleviate Poverty).


little boxes on the hillsides, child

An ode to Roy Lichtenstein, incorporating his iconic version of Ben-Day dots, halftone dots, angled stripes, and solid color patches. Inspired by Roy's sea and landscape paintings, each artwork generates a unique combination of patterns, shapes, and colors.

Ode to Roy

We were succeeding at creating a reflect of the old home place in our new land. We hoped we had not re-created our mistakes.

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